{"title":"La Memoria es un Pájaro, or multimedia poetry in the drift","authors":"A. Cimini","doi":"10.1080/20551940.2022.2135804","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay meditates on multimedia and sound artist Pablo Francisco Morales’s solo exhibition La Memoria es un Pájaro at the Instituto Municipal de Arte y Cultura (IMAC) in Tijuana during early summer 2022. Morales’ work opens the social and psychic experience of mourning through mediatic dispersal across audio, video, photography, dramatising how mourning’s demands on signification unsettle material and perceptual reality. The exhibition also invites a hemispheric and regional approach to sound art rooted in the borderlands, which links Morales’ decidedly semiotic and transmedial conception of sound art to broader questions about social and political genealogies for its theory and practice.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"15 1","pages":"104 - 113"},"PeriodicalIF":0.4000,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sound Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20551940.2022.2135804","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This essay meditates on multimedia and sound artist Pablo Francisco Morales’s solo exhibition La Memoria es un Pájaro at the Instituto Municipal de Arte y Cultura (IMAC) in Tijuana during early summer 2022. Morales’ work opens the social and psychic experience of mourning through mediatic dispersal across audio, video, photography, dramatising how mourning’s demands on signification unsettle material and perceptual reality. The exhibition also invites a hemispheric and regional approach to sound art rooted in the borderlands, which links Morales’ decidedly semiotic and transmedial conception of sound art to broader questions about social and political genealogies for its theory and practice.
本文对2022年初夏在蒂华纳市艺术与文化学院(IMAC)举办的多媒体和声音艺术家Pablo Francisco Morales的个展La Memoria es un Pájaro进行了思考。莫拉莱斯的作品通过音频、视频、摄影的媒介传播，打开了哀悼的社会和精神体验，戏剧化地表现了哀悼对意义的要求如何扰乱物质和感性现实。展览还邀请了一种半球和区域的方法来研究根植于边境地区的声音艺术，将莫拉莱斯的声音艺术的明确符号学和跨媒介概念与关于其理论和实践的社会和政治谱系的更广泛问题联系起来。
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