Ronald Forero-Álvarez, Lucio Martín Forero-Álvarez
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引用次数: 0
Abstract
This article gathers the cinematographic adaptations of the episode of Orpheus and Eurydice in order to establish the transformations and the different objectives of its inclusion in this type of works. The analysis of the films showed that four raise issues related to the artistic medium (Orphée, Vous n’avez encore rien vu, Parking, Me ton Orfea ton Avgousto) and six deal with social problems (Orfeu Negro, Orfeu, The Fugitive Kind, Orpheus Descending, Evridiki BA 2O37, Shredder Orpheus).
期刊介绍：
Byzantion Nea Hellás, is yearly journal of Greek, Byzantine and Neohellenic studies, founded in 1970. It publishes original scientific research articles pertaining to the domain of Greek studies, in Spanish, Portuguese, French, and English. The aim of the journal is to foster the publication of works by national and foreign researchers working in the three main areas of Greek culture, as well as the academic interchange between researchers and teaching staff who deal with these subjects.
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