Rights and limitations

G. Cornish
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Abstract

This section looks at what rights authors and owners of copyright enjoy under the law. What is the difference between authorship and ownership? Authors and owners may, or may not, be the same person. They enjoy different rights, so the distinction is important. As authors are defined differently for different types of work, they will be dealt with separately under each heading. However, despite some variations, their moral rights are similar in most circumstances so they will be covered in this section. This section then sets out who the owner is and what the owner is entitled to do exclusively in law. The rights enjoyed by authors are called ‘moral rights’ and are generally very weak in UK law. On the other hand, owners enjoy a whole range of rights which are economic in nature. The limitations to these rights are then dealt with in Section 4. Moral rights What are moral rights? Moral rights are designed to protect the idea that anything created contains an element of ‘self’ in it. Therefore the author ought to be able to protect certain aspects of a work. Although the law is complex in this area and most library services may not think they have major concerns with moral rights, the growth of electronic information sources, Open Archives, Creative Commons and similar systems makes an understanding of moral rights important for all information services. What are these rights? Essentially they give the author the right to protect their work from being abused or their reputation from being sullied. What specific rights do authors have? Basically, authors have a right to prevent their work being distorted by additions, deletions or changes to its meaning. They also have the right not to have works they did not create attributed to them and prevent anyone else claiming to be the author of their work. They also have the right to prevent their work being used in a way that would bring their reputation into disrepute. What about making sure their name is included in a work? Rather surprisingly, this is not an automatic right of the author. It applies in certain contexts only and will be dealt with under each type of copyright material in the following sections. In summary, it applies only to authors of monographs, producers and directors of films and artists whose work is to be exhibited in public.
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权利与限制
本节着眼于作者和版权所有者根据法律享有哪些权利。作者身份和所有权的区别是什么?作者和所有者可能是同一个人,也可能不是。他们享有不同的权利,所以区别很重要。由于不同类型的工作对作者的定义不同,因此将在每个标题下分别处理作者。然而,尽管存在一些差异,但在大多数情况下,他们的精神权利是相似的,因此本节将对其进行介绍。然后,本节规定了所有者是谁以及所有者在法律上独家有权做什么。作者享有的权利被称为“精神权利”,在英国法律中通常是非常薄弱的。另一方面,业主享有一系列经济性质的权利。这些权利的限制将在第4节中讨论。什么是精神权利?道德权利的设计是为了保护这样一种观念:任何被创造的东西都包含着“自我”的元素。因此,作者应该能够保护作品的某些方面。虽然这方面的法律很复杂,而且大多数图书馆服务机构可能并不认为它们与精神权利有重大关系,但电子信息源、开放档案、知识共享和类似系统的发展使得理解精神权利对所有信息服务都很重要。这些权利是什么?从本质上讲,它们赋予作者保护自己的作品不被滥用或名誉不被玷污的权利。作者有哪些具体权利?基本上,作者有权防止他们的作品因增加、删除或改变其含义而被扭曲。他们还有权不让他人将非自己创作的作品归为自己的作品,并阻止其他人声称自己是他们作品的作者。他们还有权防止自己的作品被用于有损其声誉的用途。如何确保他们的名字包含在作品中?令人惊讶的是,这并不是作者的自动权利。它仅适用于某些情况,并将在以下各节中根据每种版权材料进行处理。总之,它只适用于专著作者、电影制片人和导演以及作品公开展出的艺术家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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