The Fat Imaginary in Trump's America

Q1 Social Sciences Cultural Politics Pub Date : 2020-11-01 DOI:10.1215/17432197-8593578
C. Forth
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引用次数: 2

Abstract

Materially as well as metaphorically, fat is seemingly ubiquitous in Donald Trump’s America. Rather than simply a rude comment to make about someone’s appearance or capacity for self-control, the word refers to a form of matter and style of metaphor that helps structure divisions between America and the world, as well as among Americans themselves. To support this claim, this article outlines a broad cultural imagination relating to fat—a fat imaginary—that structures common global perceptions of Americans and America, as well as assessments of Trump himself. With sources traceable to traditional agricultural motifs, metaphors relating to fat often connote processes of fattening that evoke ideas about consumption, as well as devouring and animality. To see how the fat imaginary informs contemporary political discourses, the article probes the “fat American” as a consuming figure on the world stage, as well as media representations of Trump as a devouring monster.
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特朗普时代美国的肥胖想象
在唐纳德·特朗普(Donald Trump)治下的美国,脂肪似乎无处不在。这个词不仅仅是对某人的外表或自我控制能力的粗鲁评论,它指的是一种物质形式和隐喻风格,有助于构建美国与世界之间的分歧,以及美国人自己之间的分歧。为了支持这一说法,本文概述了一种与脂肪有关的广泛文化想象——一种肥胖的想象——它构成了全球对美国人和美国人的共同看法,以及对特朗普本人的评估。与脂肪相关的隐喻可以追溯到传统的农业主题,通常包含增肥的过程,让人联想到消费、吞噬和动物行为。为了了解肥胖是如何影响当代政治话语的,这篇文章探讨了“肥胖的美国人”作为世界舞台上一个消费人物的形象,以及媒体对特朗普作为一个吞噬怪物的描述。
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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