Contesting Opera

Lydia D. Goehr
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Abstract

Chapter 6 draws on the paragone, the comparison and contest among the different arts, and on ekphrasis, the rhetorical use of words to evoke visual images for the mind’s eye. It presents a spectrum of examples to prepare for the interpretation, in Chapter 7, of Puccini’s La Bohème. It brings Puccini’s opera onto Parnassus to stand alongside other works that contain ekphrastic moments of biblical, prophetic, or promissory significance. The most obviously pertinent works from among the many self-reflective artist-operas are those aiming for a liberation of life and art through evocations and invocations of the Red Sea Passage.
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争夺歌剧
第六章介绍了paragone,不同艺术之间的比较和竞争,以及ekphrasis,词语的修辞使用,以唤起心灵之眼的视觉形象。它提出了一系列的例子,准备在第七章解释普契尼的La boh。它将普契尼的歌剧带到帕纳索斯,与其他包含圣经、预言或承诺意义的即兴时刻的作品并列。在许多自我反思的艺术家歌剧中,最明显的相关作品是那些旨在通过对红海通道的唤起和召唤来解放生活和艺术的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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