Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–1965

Josef Nothmann
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Abstract

Abstract Studies of Jewish “Americanization” have largely focused on earlier periods of immigration and emphasized the democratic nature of dress in the United States. In contrast, this study analyzes the decades at mid-century when Jews began visibly to enter the American mainstream and argues for an increased appreciation of male sartorial distinction as cultural capital in Jewish social mobility and self-assertion within a stratified American social system. In the decades after the Second World War, a commercialized form of Ivy League style became one of the leading modes of middle class American masculine self-fashioning. Many Jewish students, professors, and young professionals found in Ivy style a statement suited to their aspirations of educational, social, and economic advancement in the face of traditional antisemitic discrimination. The Jewish history of Ivy style reveals the ambiguities and ironies of this process of class-specific Americanization, given the disproportionate role of Jewish tailors and businessmen in the creation and curation of an American style so closely linked to power. Drawing on memoirs, contemporary images, and vintage clothing, this article examines the connection between Ivy style as sartorial habitus and Jewish social and cultural integration in and through higher education.
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“常春藤”男人的造型:犹太人作为美国风格的创造者和消费者,1940-1965
关于犹太人“美国化”的研究主要集中在早期的移民时期,并强调美国服装的民主性质。相比之下,本研究分析了本世纪中叶犹太人开始明显进入美国主流的几十年,并认为在分层的美国社会体系中,男性服装的区别作为犹太人社会流动性和自我主张的文化资本得到了越来越多的欣赏。在第二次世界大战后的几十年里,常春藤联盟风格的商业化形式成为美国中产阶级男性自我塑造的主要模式之一。许多犹太学生、教授和年轻的专业人士发现,面对传统的反犹歧视,常春藤风格的声明适合他们在教育、社会和经济上取得进步的愿望。常春藤风格的犹太历史揭示了这种特定阶级美国化过程中的模棱两可和讽刺,因为犹太裁缝和商人在创造和管理与权力密切相关的美式风格方面发挥了不成比例的作用。借助回忆录、当代图像和古着,本文考察了常青藤风格作为服装习惯与犹太人在高等教育中的社会和文化融合之间的联系。
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来源期刊
Textile  Leather Review
Textile Leather Review Materials Science-Materials Science (miscellaneous)
CiteScore
1.60
自引率
0.00%
发文量
27
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