{"title":"Media Intellectualism or Lived Catastrophe? Mediating and Suspending the A/political Act","authors":"Bogna M. Konior","doi":"10.51151/identities.v15i1-2.344","DOIUrl":null,"url":null,"abstract":"Piotr Szczęsny set himself on fire in protest of the Polish government in October 2017. Charged with political orientation, his selfimmolation posed a challenge to the news media, forcing it deep into the gutter the suicide archive, where commentators debated appropriate aesthetics of protest in a country whose imagery imagery is predominately thanatic; in a nation-state that has been resurrected after its many occupations yet still remains within a sacrificial grave, with death as the cornerstone of community. In this article, I situate Szczęsny’s death within the nightmare-bound post-Soviet political scene through historically contextualizing the debate around his suicide, where the act itself was criticized on the basis of its inappropriate aesthetics of irrational selfharm. I argue that such binding of a/political catastrophe in a bundle of representations corresponds to what François Laruelle calls media intellectualism, a form of engaging suffering that relies on its mediation. Seeking an alternative discourse of engaging the a/political act, I look to Katerina Kolozova’s non-standard politics of pain and to Oxana Timofeeva’s work on “the catastrophe.” These positions, which I call stances of the unsubject, offer us different starting points for creating solidarity in spaces of void, pain and depression. For the unsubject, pain is the prerequisite for forming the political, albeit in a non-standard manner, where politics cannot oscillate around representations, ideologies or identities. Rather than mediate self immolation, I ask whether the way that we define “the political” could benefit from a subtraction of mediation, from a catastrophic thinking in parallel with the brutality of the real, rather than the repetition of (national) trauma. \nAuthor(s): Bogna M. Konior: \nTitle (English): Media Intellectualism or Lived Catastrophe? Mediating and Suspending the A/political Act \nJournal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 15, No. 1-2 (Summer 2018) \nPublisher: Institute of Social Sciences and Humanities – Skopje \nPage Range: 166-185 \nPage Count: 20 \nCitation (English): Bogna M. Konior, “Media Intellectualism or Lived Catastrophe? Mediating and Suspending the A/political Act,” Identities: Journal for Politics, Gender and Culture, Vol. 15, No. 1-2 (Summer 2018): 166-185.","PeriodicalId":33334,"journal":{"name":"Identities","volume":"35 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Identities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51151/identities.v15i1-2.344","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
Piotr Szczęsny set himself on fire in protest of the Polish government in October 2017. Charged with political orientation, his selfimmolation posed a challenge to the news media, forcing it deep into the gutter the suicide archive, where commentators debated appropriate aesthetics of protest in a country whose imagery imagery is predominately thanatic; in a nation-state that has been resurrected after its many occupations yet still remains within a sacrificial grave, with death as the cornerstone of community. In this article, I situate Szczęsny’s death within the nightmare-bound post-Soviet political scene through historically contextualizing the debate around his suicide, where the act itself was criticized on the basis of its inappropriate aesthetics of irrational selfharm. I argue that such binding of a/political catastrophe in a bundle of representations corresponds to what François Laruelle calls media intellectualism, a form of engaging suffering that relies on its mediation. Seeking an alternative discourse of engaging the a/political act, I look to Katerina Kolozova’s non-standard politics of pain and to Oxana Timofeeva’s work on “the catastrophe.” These positions, which I call stances of the unsubject, offer us different starting points for creating solidarity in spaces of void, pain and depression. For the unsubject, pain is the prerequisite for forming the political, albeit in a non-standard manner, where politics cannot oscillate around representations, ideologies or identities. Rather than mediate self immolation, I ask whether the way that we define “the political” could benefit from a subtraction of mediation, from a catastrophic thinking in parallel with the brutality of the real, rather than the repetition of (national) trauma.
Author(s): Bogna M. Konior:
Title (English): Media Intellectualism or Lived Catastrophe? Mediating and Suspending the A/political Act
Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 15, No. 1-2 (Summer 2018)
Publisher: Institute of Social Sciences and Humanities – Skopje
Page Range: 166-185
Page Count: 20
Citation (English): Bogna M. Konior, “Media Intellectualism or Lived Catastrophe? Mediating and Suspending the A/political Act,” Identities: Journal for Politics, Gender and Culture, Vol. 15, No. 1-2 (Summer 2018): 166-185.
期刊介绍:
Identities explores the relationship of racial, ethnic and national identities and power hierarchies within national and global arenas. It examines the collective representations of social, political, economic and cultural boundaries as aspects of processes of domination, struggle and resistance, and it probes the unidentified and unarticulated class structures and gender relations that remain integral to both maintaining and challenging subordination. Identities responds to the paradox of our time: the growth of a global economy and transnational movements of populations produce or perpetuate distinctive cultural practices and differentiated identities.