‘Strips of Essayism’

IF 0.2 4区 文学 0 LITERATURE RENASCENCE-ESSAYS ON VALUES IN LITERATURE Pub Date : 2020-09-03 DOI:10.1093/oso/9780198707868.003.0014
Bharat Tandon
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Abstract

Taking its cue from James Wood’s now famous critique of the fetishizing of ‘information’ in British fiction (‘always breaking in to speak over their characters and tell us what to think, mummifying them somewhat in strips of essayism’), this essay takes a close look at two Victorian novelists famous for their creative deployment of what might be called an ‘essayistic’ narrative voice: George Eliot and Thomas Hardy. Tracing the roots of this voice in Victorian periodical culture—in particular, the tenure of Marian Evans/George Eliot at the helm of the Westminster Review—the essay explores the ways in which two contending senses of the ‘essayistic’, one based on contingency, the other on prescriptiveness, may often occupy the same space in both periodical essays and the fictions which dramatize and draw on them.
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《散文篇》
詹姆斯·伍德(James Wood)对英国小说中对“信息”的盲目崇拜(“总是打断他们的角色,告诉我们该怎么想,把他们在某种程度上以散文式的叙述方式木乃伊化”)提出了著名的批评,受此启发,本文仔细研究了两位维多利亚时代的小说家,他们以创造性地运用所谓的“散文式”叙事方式而闻名:乔治·艾略特(George Eliot)和托马斯·哈代(Thomas Hardy)。追溯这种声音在维多利亚时代期刊文化中的根源——特别是玛丽安·埃文斯/乔治·艾略特执掌《威斯敏斯特评论》的时期——这篇文章探讨了“散文论”的两种相互竞争的感觉,一种基于偶然性,另一种基于规范性,这两种感觉可能经常在期刊随笔和戏剧化并借鉴它们的小说中占据相同的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
11
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