Symbiotic Scenes – Incessantly Interweaved

Q2 Arts and Humanities Theatre and Performance Design Pub Date : 2022-10-02 DOI:10.1080/23322551.2022.2150370
Jakob Oredsson
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Abstract

ABSTRACT Symbiotic Scenes was a work of scenography created as part of the artistic research project Scenography as Symbiosis. It was realized on an empty lot between the cultural center TOU and the fjord in the former industrial area of Stavanger East, Norway, in September 2021. The work was developed through a research process carried out over the course of one year in this public context. Symbiotic Scenes was mediated by a 4 × 5 meter LED screen held by a revealed scaffolding structure. Its context, components and experience are described in this short written essay and explored visually through photographic documentation. The work is contextualized through a description of the artistic research project Scenography as Symbiosis to further emphasize the work as embedded within a broader artistic endeavor. With one of its beginnings in the word skenographia as connected to the theatre of ancient Greece, the research project explores ways of imagining an ontology of scenography, meaning contemplating how scenography comes into being through realizing works of scenography in various diverse contexts. Embedded within this endeavor is a queering of binaries such as foreground-background, inside-outside, active-passive, and present-absent. Finally, an interpretation of symbiosis through the philosophical framework of Object-oriented Ontology is described. Embracing this understanding of symbiosis, Symbiotic Scenes is imagined as having existed as a new symbiotic object, which appeared through biographical symbiosis between interwoven gradually transforming objects already existing within the environment. A state of being incessantly interweaved appears to be the how of the being of Symbiotic Scenes.
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共生场景——不断交织
共生场景是作为艺术研究项目“共生场景”的一部分而创作的一幅场景作品。它于2021年9月在挪威斯塔万格东部前工业区的文化中心TOU和峡湾之间的空地上实现。这项工作是通过在这个公共环境中进行的为期一年的研究过程而发展起来的。共生场景由一个暴露的脚手架结构支撑的4 × 5米LED屏幕调解。它的背景,组成部分和经验在这篇短文中被描述,并通过摄影文献进行视觉探索。通过对艺术研究项目Scenography作为共生的描述,该作品被语境化,以进一步强调该作品嵌入更广泛的艺术努力中。该研究项目的开端之一是与古希腊戏剧有关的skenographia一词,该研究项目探索了想象舞台剧本体的方法,即通过在各种不同的背景下实现舞台剧作品来思考舞台剧是如何形成的。在这种努力中嵌入了一系列的二元概念,如前景-背景、内部-外部、主动-被动和现在-缺席。最后,通过面向对象本体的哲学框架对共生现象进行了解释。采用这种对共生的理解,共生场景被想象为一种新的共生对象,它通过环境中已经存在的相互交织的逐渐变化的物体之间的传记共生而出现。一种不断交织的状态似乎是共生场景的存在方式。
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来源期刊
Theatre and Performance Design
Theatre and Performance Design Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
14
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