Na njegovu sliku

Lidija Ušurel
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Abstract

One of the classic tools in Christian theological anthropology for dealing with the intricacies of human identity is the Imago Dei concept. Approaching the concept holistically, by exploring the structural, behavioral, teleological, communal, and hospitality perspectives, this article asserts that at the very core of Imago Dei is a relational design that the Creator God had in mind for humanity – his opera Magna. Theological insights drawn from the relational doctrine of Trinity, as revealed in the comprehension of J. Moltmann, W. Pannenberg, J. Zizioulas, M. Volf, and D. Augustine, are applied to the anthropological dimension of existence, unveiling what it means to be a human being made in the image of God. In the end, Imago Dei is perceived to have not only a developmental but also a fundamentally transformative function.
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在基督教神学人类学中,处理错综复杂的人类身份的经典工具之一是上帝意象的概念。通过探索结构、行为、目的论、公共和好客的观点,从整体上接近这个概念,本文断言,上帝意象的核心是造物主上帝为人类设计的关系设计——他的歌剧《Magna》。从三位一体的关系教义中得出的神学见解,正如J. Moltmann, W. Pannenberg, J. Zizioulas, M. wolf和D. Augustine的理解所揭示的那样,被应用于存在的人类学维度,揭示了按照上帝的形象创造的人意味着什么。最后,上帝意象被认为不仅具有发展功能,而且具有根本性的变革功能。
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