Educación y formación de intérpretes del arpa de pedales en Colombia y España en el siglo XXI

IF 0.1 4区 历史学 N/A ARCHAEOLOGY Aula Orientalis Pub Date : 2020-07-31 DOI:10.14201/aula202026225243
Mónica Milena Gallego López
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Abstract

This paper provides an approach to pedal harpist (teachers, interpreters and students) in Colombia and Spain, and offers a point of view of the harpist training in the twenty-first century. A cualitative approach is made to the harpist nowadays with the design, development, analysis and evaluation of interviews, and participation in important musical, cultural and pedagogical events around the pedal harp in the respective countries. Significant reflections on music education are offered, specially, different points of view on the harpist training and the profesional and educational development, becoming a pioneering study. The research shows the applications that critical history of the harp can be derived for education of harpist and the recognition of their value.
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21世纪哥伦比亚和西班牙踏板竖琴演奏者的教育和培训
本文对哥伦比亚和西班牙的踏板竖琴师(教师、口译员和学生)进行了研究,并对21世纪的竖琴师培训提出了自己的看法。通过设计、开发、分析和评估访谈,以及参与有关踏板竖琴的重要音乐、文化和教学活动,对竖琴演奏者进行了定性分析。对音乐教育提出了有意义的思考,特别是对竖琴师的培养和专业教育发展提出了不同的看法,成为一项开创性的研究。研究表明,竖琴批判史在竖琴演奏者教育和价值认知中的应用。
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Aula Orientalis
Aula Orientalis Multiple-
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