{"title":"Raman Spectroscopy of the Works of Szymon Czechowicz (1689-1775)","authors":"M. Sawczak, Ewa Doleżyńska-Sewerniak","doi":"10.6092/ISSN.1973-9494/10671","DOIUrl":null,"url":null,"abstract":"The paper presents the results from Raman spectroscopy (RS) analyses of the works of Szymon Czechowicz and his workshop ‒ the most important Polish baroque painter. RS was used for clarification and supplementation of results carried out by the methods: Infrared False Colour (IRFC), XRF, XRD, SEM-EDS, GC-MS, and ATR-FTIR. A complementary analysis of the artist’s work allowed the characterisation of the fillers and the binders of the grounds and the paint layers in his art. The presented results showed that RS was especially useful for identifying the pigments used in the mixtures. It allowed the presence of Prussian blue in the blue and green colours to be determined and made it possible to distinguish the types of iron pigments in the mixtures. The method was useful also for the identification of several types of black pigments in the samples and to identify the massicot in the ground layers which contained another lead pigment – lead white. Tables and figures show the summation of test results carried out by RS analysis, the indication of specific chemical compounds in the painting layers and grounds, all of which provide additional information about the workshop of the most important painter of Polish Baroque. The main conclusion is that without using RS, it would be impossible to achieve these precise research results, helpful in the authentication of Szymon Czechowicz’s works.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"52 1","pages":"231-249"},"PeriodicalIF":0.1000,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservation Science in Cultural Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.1973-9494/10671","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
The paper presents the results from Raman spectroscopy (RS) analyses of the works of Szymon Czechowicz and his workshop ‒ the most important Polish baroque painter. RS was used for clarification and supplementation of results carried out by the methods: Infrared False Colour (IRFC), XRF, XRD, SEM-EDS, GC-MS, and ATR-FTIR. A complementary analysis of the artist’s work allowed the characterisation of the fillers and the binders of the grounds and the paint layers in his art. The presented results showed that RS was especially useful for identifying the pigments used in the mixtures. It allowed the presence of Prussian blue in the blue and green colours to be determined and made it possible to distinguish the types of iron pigments in the mixtures. The method was useful also for the identification of several types of black pigments in the samples and to identify the massicot in the ground layers which contained another lead pigment – lead white. Tables and figures show the summation of test results carried out by RS analysis, the indication of specific chemical compounds in the painting layers and grounds, all of which provide additional information about the workshop of the most important painter of Polish Baroque. The main conclusion is that without using RS, it would be impossible to achieve these precise research results, helpful in the authentication of Szymon Czechowicz’s works.
期刊介绍:
Conservation Science in Cultural Heritage is an international peer reviewed journal which continues Quaderni di Scienza della Conservazione. Main topics of publication: • Study of the system: artifact-environment-biota • Historical-artistic knowledge of cultural heritage (i.e. author, art movement, period of realization, techniques, society and cultural characteristics, socio-economic context, commissioning, financing, interested public) • History, diagnosis, restoration, maintenance, conservation, valorization, prevention • Document research • Book, codex, and manuscript production in its historical context • Appropriate methodologies and analytical techniques used for the characterization of historical artifacts and evaluation of the conservation state • Environmental monitoring: assessment of atmospheric pollution and correlated degradation of monuments and historical-artistic sites • Micro and macroclimatic monitoring in confined areas (i.e. museums, libraries, archives, churches, galleries…) • Art diagnostics and evaluation of the authentication of art works • Art market and auction houses • Experiences in cultural heritage conservation • Evaluation of the suitability of products for restoration, conservation, and maintenance of works of art • Information science and cultural heritage: data processing and cataloguing methods • Virtual re-elaboration and use of historical artifacts and environments • Study, valorization and digitalization of archive and library heritage • Environmental context and technical-conservative issues related to historic architecture • Virtual or traditional conservation, cataloguing and processing of photographs • Various other topics including education, safeguard, education, legislation, economics, social aspects, management, marketing, interdisciplinarity, internationalization, etc.