Secondary characters in narratives of wrongful conviction

IF 1.7 3区 社会学 Q2 CRIMINOLOGY & PENOLOGY Crime Media Culture Pub Date : 2022-10-14 DOI:10.1177/17416590221127291
Janani Umamaheswar
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引用次数: 1

Abstract

Research on wrongful convictions has focused mainly on the relationships and interactions among wrongfully-convicted persons and state actors, perpetuating an overly-simplistic understanding of the harms of wrongful conviction. In this article, I analyze narratives of wrongful conviction obtained through in-depth interviews with 15 exonerated men in the U.S. to shift attention toward these stories’ “secondary characters”—those individuals who were neither the main protagonists nor the key antagonists in participants’ narratives, but who nonetheless significantly shaped how the men made sense of their experiences of harm and their journeys from victimhood to vindication. Drawing on research in narrative victimology, I argue that focusing on the secondary characters in wrongful conviction stories facilitates a more nuanced understanding of how the injustice of wrongful conviction is experienced and processed—one that avoids reproducing the binary logic of the criminal legal system, which too often reduces wrongful conviction cases to one-dimensional stories of innocent people versus the state.
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冤案叙述中的次要人物
对错判的研究主要集中在被错判者和国家行为者之间的关系和相互作用上,这使得对错判的危害的理解过于简单化。在这篇文章中,我通过对美国15名无罪男子的深入访谈,分析了这些错误定罪的叙述,将注意力转移到这些故事的“次要人物”上——这些人既不是主角,也不是参与者叙述中的主要对手,但他们却显著地影响了人们如何理解他们的伤害经历,以及他们从受害者到辩护的旅程。根据对叙事受害者学的研究,我认为关注错判故事中的次要人物有助于更细致入微地理解错判的不公正是如何经历和处理的——这可以避免再现刑事法律体系的二元逻辑,这种逻辑往往将错判案件简化为无辜者与国家的一维故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.80
自引率
11.10%
发文量
33
期刊介绍: Crime, Media, Culture is a fully peer reviewed, international journal providing the primary vehicle for exchange between scholars who are working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture. The journal invites papers in three broad substantive areas: * The relationship between crime, criminal justice and media forms * The relationship between criminal justice and cultural dynamics * The intersections of crime, criminal justice, media forms and cultural dynamics
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