An Indigenous Archive: Documenting Comanche History through Rock Art

L. Montgomery, Severin M. Fowles
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引用次数: 1

Abstract

Abstract:Over the past thirty years, incorporating Native American voices into North American history has become a guiding principle of academic scholarship within both history and archaeology. While scholars have turned to an expanded array of evidence, including oral histories, ethnography, and material culture, to develop complex narratives about Indigenous pasts, they have largely treated these sources as alternatives to the written record. In this article, we argue that Biographic-style rock art is a historical text in its own right. Composed by and for Native people, this iconographic tradition is an "Indigenous archive" that can be read by archaeologists in collaboration with Indigenous community members. We develop this concept of the Indigenous archive through an analysis of rock art produced by Comanche people in the northern Rio Grande region of New Mexico during the eighteenth century. A close examination of these images, accompanied by conversations with Comanche tribal members offers historical insights into the process of constructing and interpreting Indigenous history.
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土著档案:通过岩石艺术记录科曼奇族的历史
摘要:在过去的30年里,将美洲原住民的声音纳入北美历史已经成为历史学和考古学学术研究的指导原则。虽然学者们已经转向广泛的证据,包括口述历史、民族志和物质文化,以发展对土著过去的复杂叙述,但他们在很大程度上将这些来源视为书面记录的替代品。在本文中,我们认为传记风格的岩石艺术本身就是一种历史文本。由土著人民创作并为其服务的这种传统图像是一种“土著档案”,考古学家可以与土著社区成员合作阅读。我们通过对18世纪新墨西哥州格兰德河北部地区的科曼奇人制作的岩石艺术的分析,发展了土著档案的概念。仔细研究这些图像,再加上与科曼奇部落成员的对话,可以让我们从历史的角度了解构建和解释土著历史的过程。
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