Staging Maria Edgeworth's New Woman in Whim for Whim (1798)

Q3 Arts and Humanities Acotaciones Pub Date : 2022-06-27 DOI:10.32621/acotaciones.2022.48.09
Carmen María Fernández Rodríguez
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Abstract

Literary lioness Maria Edgeworth (1767-1848) is best known for her narratives of Irish setting and for the pedagogical volumes of children’s stories written in collaboration with her father, Richard Lovell Edgeworth. A prolific multifaceted author, Edgeworth composed some plays which, in general, have been overlooked by scholars. Nevertheless, Edgeworth was interested in the stage though drama represented a genre that cast some doubt on the reputation of a woman writer. It is precisely in one of Edgeworth’s comedies, Whim for Whim (1798), where she offers a portrait of the new woman as envisioned at the end of the eighteenth century. The play not only inspired memorable characters in Edgeworth’s canon, but also explored women’s role in the public and private sphere and dealt with women’s education and importance in the family. Palabras Clave:
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《奇思妙想》中玛丽亚·埃奇沃斯的新女性(1798年)
文坛雄狮玛丽亚·埃奇沃斯(Maria Edgeworth, 1767-1848)最为人所知的是她对爱尔兰背景的叙述,以及她与父亲理查德·洛弗尔·埃奇沃斯(Richard Lovell Edgeworth)合作撰写的儿童故事集。埃奇沃斯是一位多产的多面作家,他创作的一些戏剧通常被学者们所忽视。然而,埃奇沃斯对舞台很感兴趣,尽管戏剧是一种让人对女作家的声誉产生怀疑的体裁。正是在埃奇沃斯的喜剧《一时兴起》(1798)中,她描绘了一幅十八世纪末新女性的肖像。该剧不仅激发了埃奇沃斯经典中令人难忘的人物形象,还探讨了女性在公共和私人领域的角色,并探讨了女性的教育和在家庭中的重要性。Palabras劈开:
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来源期刊
Acotaciones
Acotaciones Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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发文量
15
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