Retiring or Engaging

Abstract

This chapter examines the paradox inherent in tackling political issues within a traditionally ‘polite’ form, authorial consciences torn between retirement and public engagement, and the recurring tendency of the essayist to attack complacent readers rather than more obvious adversaries. For some, writing under political pressure, the tactics are indirection or literary insurgency; for others, the essay form itself symbolizes the freedoms to be defended from more absolutist forms of thought. Via readings of essays by Addison, Hazlitt, Woolf, Orwell, Baldwin, and Hitchens, it highlights the forgotten political agendas of declaredly apolitical essayists, while inversely emphasizing the overriding literary, autobiographical, and philosophical ambitions that dominate some of the most famously political of classic English essayists.