{"title":"Political Plants","authors":"Sria Chatterjee","doi":"10.1215/17432197-10232502","DOIUrl":null,"url":null,"abstract":"\n This essay considers a series of examples of contemporary and early twentieth-century artistic projects done in collaboration and conversation with plant scientists around the theme of plant sentience. In particular, it zooms in on the work of the Indian biophysicist Jadagish Chandra Bose and the Indian artist Gaganendranath Tagore in the 1920s and the Italian plant scientist Stephano Mancuso and German artist Carsten Höller in the 2020s. The essay has four interconnected aims. The first is to investigate how and why plant sentience is visually and spatially represented by artists. The second is to show through two broad examples how plant science can be and has been co-opted to serve different political, economic, and ideological positions. The third and broader aim of this essay is to counter a widespread ethical assertion in environmental humanities and animal studies that destabilizing human-nonhuman binaries intrinsically lends itself to projects of environmental justice by encouraging humans to coexist more equitably with other species. In other words, we should not assume that artistic production is spontaneously aligned to ethics of multispecies justice. The fourth and concluding aim is to make the related argument that plant sentience and other ways of knowing and relating across species need to be understood within the context of colonial and extractive histories.","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-10232502","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 1
Abstract
This essay considers a series of examples of contemporary and early twentieth-century artistic projects done in collaboration and conversation with plant scientists around the theme of plant sentience. In particular, it zooms in on the work of the Indian biophysicist Jadagish Chandra Bose and the Indian artist Gaganendranath Tagore in the 1920s and the Italian plant scientist Stephano Mancuso and German artist Carsten Höller in the 2020s. The essay has four interconnected aims. The first is to investigate how and why plant sentience is visually and spatially represented by artists. The second is to show through two broad examples how plant science can be and has been co-opted to serve different political, economic, and ideological positions. The third and broader aim of this essay is to counter a widespread ethical assertion in environmental humanities and animal studies that destabilizing human-nonhuman binaries intrinsically lends itself to projects of environmental justice by encouraging humans to coexist more equitably with other species. In other words, we should not assume that artistic production is spontaneously aligned to ethics of multispecies justice. The fourth and concluding aim is to make the related argument that plant sentience and other ways of knowing and relating across species need to be understood within the context of colonial and extractive histories.
期刊介绍：
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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