Borderline society and ‘rebellious mourning’: the case of South Korean feminist activism

IF 0.3 3区 艺术学 0 THEATER Studies in Theatre and Performance Pub Date : 2021-01-25 DOI:10.1080/14682761.2021.1874106
Y. J. Hwang
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引用次数: 1

Abstract

ABSTRACT In this article I propose two concepts – a borderline society and ‘rebellious mourning’ – to present a conceptual framework for understanding contemporary Korean feminism. This article argues that borderline society is both a concept and a product of co-existing and contesting ways of Korean women’s speaking against the culture of gender-based violence to consider the (imagined) topography for their co-existence as one that requires the psychic conception of reality as a counterpart to the patriarchy. Given that the 2016 femicide accelerated the movement of Korean women speaking about their experiences as an act of mourning, borderline society provides an understanding of how Korean women perform it. Drawing on contemporary news clippings and websites related to Korean feminist activism, this article examines how ‘rebellious mourning’ is embodied through the cultural practices of Korean activist groups. While Womad stands in opposition to #MeToo because of its negation of the patriarchy, Flame, Femi, Action is situated as a point of contact between the two. This article will thus provide a new understanding of the particularity of Korean feminism based on the link between the psyche and gender subjectivity of women speaking up, thereby placing a specific local situation into the broader context of constructing activism.
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边缘社会与“反叛的哀悼”:韩国女权主义运动的案例
在这篇文章中,我提出了两个概念——一个边缘社会和“叛逆的哀悼”——来呈现一个理解当代韩国女权主义的概念框架。本文认为,边缘社会既是韩国女性反对性别暴力文化的共存和竞争方式的概念和产物,将她们共存的(想象的)地形视为一种需要现实的精神概念作为父权制的对应物。2016年的屠杀女性事件加速了韩国女性将自己的经历作为一种哀悼行为的运动,从这一点来看,“边缘社会”可以让我们理解韩国女性是如何进行这种行为的。本文利用与韩国女权主义活动相关的当代新闻剪报和网站,研究了韩国激进组织的文化实践如何体现“反叛的哀悼”。Womad因其对父权制的否定而与#MeToo站在对立面,而Flame Femi Action则处于两者之间的联系点。因此,本文将基于女性发声的心理与性别主体性之间的联系,对韩国女性主义的特殊性提供一种新的理解,从而将特定的地方情况置于建构行动主义的更广泛背景中。
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来源期刊
CiteScore
0.60
自引率
33.30%
发文量
11
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