{"title":"Rereading Elizabeth I as Europa","authors":"Carmen Nocentelli","doi":"10.1632/S0030812923000172","DOIUrl":null,"url":null,"abstract":"Abstract Albeit widely cited, the 1598 engraving known as Elizabeth I as Europa is something of a mystery: little to nothing is known of its authorship or of the circumstances of its production and circulation. Tracing the print's origins to one of Europe's earliest news periodicals, I argue that Elizabeth I as Europa is not about Elizabeth but about Europa—which is to say, about the construction of an early modern public that could understand itself as European. The print participated in this construction in two interrelated ways: as an intervention in Europa Regina cartography, it thematized Europe as a shared (if highly contested) space of discourse that could cut across national, linguistic, and confessional differences; as a piece of transnational reportage meant for broadscale circulation, it helped conjure up the public on which that space of discourse depended.","PeriodicalId":47559,"journal":{"name":"PMLA-PUBLICATIONS OF THE MODERN LANGUAGE ASSOCIATION OF AMERICA","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PMLA-PUBLICATIONS OF THE MODERN LANGUAGE ASSOCIATION OF AMERICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1632/S0030812923000172","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Albeit widely cited, the 1598 engraving known as Elizabeth I as Europa is something of a mystery: little to nothing is known of its authorship or of the circumstances of its production and circulation. Tracing the print's origins to one of Europe's earliest news periodicals, I argue that Elizabeth I as Europa is not about Elizabeth but about Europa—which is to say, about the construction of an early modern public that could understand itself as European. The print participated in this construction in two interrelated ways: as an intervention in Europa Regina cartography, it thematized Europe as a shared (if highly contested) space of discourse that could cut across national, linguistic, and confessional differences; as a piece of transnational reportage meant for broadscale circulation, it helped conjure up the public on which that space of discourse depended.
期刊介绍：
PMLA is the journal of the Modern Language Association of America. Since 1884, PMLA has published members" essays judged to be of interest to scholars and teachers of language and literature. Four issues each year (January, March, May, and October) present essays on language and literature, and the November issue is the program for the association"s annual convention. (Up until 2009, there was also an issue in September, the Directory, containing a listing of the association"s members, a directory of departmental administrators, and other professional information. Beginning in 2010, that issue will be discontinued and its contents moved to the MLA Web site.)
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