SCANDINAVIAN LATE VIKING AGE ART STYLES AS A PART OF THE VISUAL DISPLAY OF WARRIORS IN 11TH CENTURY ESTONIA

Pub Date : 2012-12-01 DOI:10.3176/ARCH.2012.2.02
Indrek Jets
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引用次数: 2

Abstract

The article examines the archaeological finds from Estonia that are decorated in Scandinavian Late Viking Age ornamental styles. The majority of such finds come from burials in local fashion. The aim of the article is to outline the role of Scandinavian ornament in culture, social strategies, ideology and identity of the local society. Belt fittings and silver-plated weapons comprise the largest part of such finds. While the belt fittings often show simplified patterns, pure Scandinavian style ornament is found on weapons. The current article aims to propose a connection between warfare and warrior culture and the usage of Scandinavian ornament in Estonia. This martial link is found to coincide with the meanings proposed for animal ornament in Scandinavia. In Estonia, the fashion to decorate weapons was most widely spread in the time of Ringerike and Urnes styles. In that period, decorated weapons may have had a specific role in social strategies, probably implying the rise in position of the warrior strata. The article also discusses international relations as the background for the adoption of Scandinavian ornament. The gender aspect is mentioned, as the Scandinavian ornament associates with the male warrior role, while different symbolic languages were used in female attire. The Late Viking Age Scandinavian ornament in Estonia is seen as the visual display of the identity of warriors’ social class and the affiliation of Estonian warriors with the Scandinavian cultural sphere, while the local identity was manifested mainly by some types of female jewellery.
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斯堪的纳维亚晚期维京时代的艺术风格作为11世纪爱沙尼亚战士视觉展示的一部分
这篇文章研究了来自爱沙尼亚的考古发现,这些考古发现都是斯堪的纳维亚晚期维京时代的装饰风格。这些发现大多来自当地的埋葬方式。本文的目的是概述斯堪的纳维亚装饰在当地社会的文化、社会战略、意识形态和身份中的作用。腰带配件和镀银武器是这类发现的最大部分。虽然腰带配件经常显示简化的图案,但在武器上发现了纯粹的斯堪的纳维亚风格的装饰。当前的文章旨在提出战争和战士文化与斯堪的纳维亚装饰在爱沙尼亚的使用之间的联系。人们发现,这种军事联系与斯堪的纳维亚半岛的动物装饰品的含义一致。在爱沙尼亚,装饰武器的时尚在Ringerike和Urnes风格时期传播得最为广泛。在那个时期,装饰武器可能在社会策略中有特定的作用,可能意味着战士阶层地位的上升。文章还讨论了国际关系作为斯堪的纳维亚装饰采用的背景。性别方面被提到,因为斯堪的纳维亚的装饰与男性战士的角色联系在一起,而女性服饰则使用了不同的象征语言。在爱沙尼亚,维京时代晚期的斯堪的纳维亚装饰被视为战士社会阶层身份的视觉展示,以及爱沙尼亚战士与斯堪的纳维亚文化领域的联系,而当地身份主要通过某些类型的女性珠宝来体现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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