The Right to Debilitate: The Workings of Global Capitalism and the Precaritization of Subjects in Die wundersame Welt der Waschkraft

IF 0.2 Q3 Social Sciences Feminist German Studies Pub Date : 2020-01-03 DOI:10.5250/femigermstud.35.0110
Simone Pfleger
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Abstract

Abstract:This article focuses on Hans-Christian Schmid's 2009 documentary Die wundersame Welt der Waschkraft as an example of how subjects are exposed to, embedded in, and exploited by global capitalism. Building on Jasbir Puar's concept of debilitation, the article examines the types of subjectivities that emerge in the narratives and material conditions produced by regimes of neoliberalism, as exemplified by Schmid's film. It illustrates how intimate social relations become pivotal sites where discourses of recognition, value, and resources converge. The film demonstrates that the increased access to consumer goods and services and the breakdown of national borders in Europe expose certain individuals to precarious labor conditions and render them barely legible as proper—or proper enough—subjects vis-à-vis the ideal Western subject hailed by heteronormative power structures. Workers in the film, such as Beata and Andrzej, experience increasingly precarious conditions and exemplify how certain individuals are forced to endure, bear, and sustain the impact of sociocultural discursive ideals of which individuals matter in what ways.
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衰弱的权利:全球资本主义的运作和主体的不稳定
摘要:本文以汉斯-克里斯蒂安·施密德(Hans-Christian Schmid) 2009年的纪录片《世界的奇迹》(Die wundersame Welt der Waschkraft)为例,探讨了全球资本主义是如何暴露于、嵌入其中并被剥削的。本文以贾斯比尔·普瓦尔的衰弱概念为基础,考察了新自由主义政权所产生的叙事和物质条件中出现的主体性类型,例如施密德的电影。它说明了亲密的社会关系如何成为认识、价值和资源的话语汇聚的关键场所。这部电影表明,消费品和服务的增加以及欧洲国家边界的崩溃使某些人暴露在不稳定的劳动条件下,使他们几乎无法辨认为合适的——或者足够合适的——主体,而-à-vis是被异质规范的权力结构所称颂的理想的西方主体。影片中的工人,如贝娅塔和安杰伊,经历了越来越不稳定的环境,并举例说明了某些人是如何被迫忍受、承受和维持社会文化话语理想的影响的,这些理想以何种方式影响着个人。
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
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