A Heuristic Model of Supervision Using Small Objects to Develop the Senses

Drew Bird
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Abstract

For a Drama therapy supervisor, it’s important to have a suitable model for supervision practice; a model that guides, supports, empowers and enables the supervisee to discover emerging themes in their development as a therapist. The model needs to be flexible enough to utilize non-verbal means of communication and at the same time help to focus the supervisee’s experience as a therapist. Such a model would be suitable to explore the tensions between personal experience and professional roles, as unworked-through themes in one’s personal life will emerge in one’s professional practice [1]. The supervision model needs to be flexible enough to contain chaos and uncertainty, but not too rigid or restrictive to limit creativity. The purpose of this paper is to consider a research model suitable for supervision that is suited and congruent to eliciting the supervisee’s senses through the use of small symbolic objects. The purpose of supervision is to help the supervisee work with personal or professional limitations that might impact on the client work and support their exploration to enable them to go beyond the familiar self.
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利用小物件发展感官的启发式监督模式
对于戏剧治疗督导来说,有一个适合督导实践的模式是很重要的;一个指导,支持,授权和使被监管者能够在他们作为治疗师的发展中发现新主题的模型。该模型需要足够灵活,以利用非语言的沟通手段,同时帮助关注被监管者作为治疗师的经验。这样的模型将适合于探索个人经历和职业角色之间的紧张关系,因为个人生活中未处理的主题将在一个人的职业实践中出现[1]。监督模式需要足够灵活,以遏制混乱和不确定性,但也不能过于僵化或限制创造力。本文的目的是考虑一种适合于监督的研究模型,该模型适合并符合通过使用小型象征性对象来激发被监督者的感官。监督的目的是帮助被监督者处理可能影响客户工作的个人或专业限制,并支持他们的探索,使他们能够超越熟悉的自我。
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