Botanical symbolism in the Hypnerotomachia: botanical signifiers of a humanist handling of interior transformation

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY WORD & IMAGE Pub Date : 2023-04-03 DOI:10.1080/02666286.2022.2160188
James O'Neill
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Abstract

Abstract This article focuses on the botanical specimens and their symbolic purpose in the narrative of the Hypnerotomachia Poliphili (1499). It examines the questions as to why certain plants are positioned at certain narrative stages, and how the relationship between their aesthetic, medical, literary, and symbolic purpose fits with the narrative. It also examines how this ratiocination of reflecting a developing topography with the interior development of the soul is handled in a wholly humanist–Renaissance manner over earlier treatments of botany in the medieval philosophical dream allegories such as Guillaume de Lorris and Jean de Meun’s Roman de la rose and Brunetto Latini’s Il Tesoretto, or the pre-medieval Prudentius’s Psychomachia. 1
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《Hypnerotomachia》中的植物符号:人文主义处理内部转变的植物符号
摘要:本文主要讨论了植物标本及其在1499年《水仙》(Hypnerotomachia Poliphili)叙事中的象征意义。它探讨了为什么某些植物被定位在特定的叙事阶段,以及它们的美学、医学、文学和象征目的如何与叙事相适应。它还研究了这种反映发展中的地形与灵魂内部发展的推理是如何以完全人文主义的文艺复兴方式处理的,而不是在中世纪哲学梦寓言中对植物学的早期处理,如纪尧姆·德·洛里斯和让·德·梅恩的《玫瑰的罗马》和布鲁内托·拉蒂尼的《Tesoretto》,或者中世纪前的普鲁登修斯的《心理》
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来源期刊
WORD & IMAGE
WORD & IMAGE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
33.30%
发文量
12
期刊介绍: Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits.
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