Making journeys: archaeologies of mobility

Bob Trubshaw
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引用次数: 1

Abstract

anxieties in hyper-real, dystopian Tokyo and in the fantasyland created in the subconscious of the novel’s protagonist. The final section, ‘Urban Spectrality’, presents haunted urban topographies which raise questions and disturb assumptions about modernity. David Waldron and Sharn Waldron explore the supernatural history of the nineteenth-century Ballarat goldfields of central Victoria, disinterring an unsettling past. This fits in with other excellent work interrogating the ‘spectral accretions’ (Waterton and Saul 2020) of colonial Australia and the violence, poverty and oppression that lie at the foundations of colonising, capitalising – otherwise ‘modernising’ – campaigns. Hauntings also reflect a problematic past in Mexico City, and as María del Pilar Blanco shows, the presence–absence of Emperor Maximilian I could be traced through a photograph of his corpse. Alevtina Solovyova examines how the reproduction and adaptation of traditional ghostlore and demonology in contemporary Beijing can reveal personal and collective anxieties and tensions. The volume concludes with Morag Rose on post-industrial Manchester, whose spectral waterways reconcile people to the rupture of the modern city from its industrial past. As with almost all edited volumes, quality is mixed; the papers by Pooley and Solovyova are excellent, while others will be of value to anyone interested in the supernatural and especially its presence in urban modernity. Despite the lack of direct contribution from archaeologists, Supernatural Cities will also be of interest to them, and can broaden approaches to urban and industrial archaeology. This welcome contribution to studies of the supernatural and the urban has something for everyone.
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旅行:移动考古学
在超现实的、反乌托邦的东京和小说主人公潜意识中创造的幻想世界中,焦虑。最后一部分,“城市幽灵”,展示了闹鬼的城市地形,这些地形提出了问题,扰乱了对现代性的假设。David Waldron和Sharn Waldron探索了19世纪维多利亚中部巴拉瑞特金矿的超自然历史,发掘了一段令人不安的过去。这与其他优秀的作品相吻合,这些作品质疑了殖民时期澳大利亚的“幽灵增长”(Waterton and Saul 2020),以及殖民、资本化(或“现代化”)运动的基础上的暴力、贫困和压迫。闹鬼也反映了墨西哥城有问题的过去,正如María del Pilar Blanco所展示的,皇帝马克西米利安一世的存在和不存在可以通过他的尸体的照片来追踪。Alevtina Solovyova考察了当代北京传统鬼文学和鬼神学的复制和改编如何揭示了个人和集体的焦虑和紧张。这本书的结尾是Morag Rose对后工业时代的曼彻斯特的描述,它的幽灵般的水道使人们适应了现代城市与工业时代的破裂。与几乎所有编辑过的书籍一样,质量参差不齐;Pooley和Solovyova的论文非常出色,而其他的论文对于任何对超自然现象感兴趣的人来说都是有价值的,尤其是它在城市现代性中的存在。尽管缺乏考古学家的直接贡献,但超自然城市也会引起他们的兴趣,并且可以拓宽城市和工业考古学的方法。这个对超自然和城市研究的受欢迎的贡献对每个人都有好处。
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来源期刊
CiteScore
1.60
自引率
0.00%
发文量
23
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