The Lady and the Gentleman: Changing Gender Relations and Anxieties in Early Malayalam Cartoons

IF 0.1 4区 历史学 0 ASIAN STUDIES Indian Historical Review Pub Date : 2022-05-30 DOI:10.1177/03769836221096231
Nassif Muhammed Ali
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Abstract

Kerala, towards the end of the nineteenth century, witnessed an awakening which left impressions on all the walks of the society. The advent of modernity, which was triggered by the British rule as well the state’s attempt to widen education and welfare measures, initiated reform movements among almost all the communities. The accessibility to modern education and resultant exposure to scientific, philosophic and humanistic values as well as ideas such as liberty, equality, secularism and individualism changed the perception of men and women towards the society and towards the self. This also resulted in the formation and spread of media and journalism, which in turn led to the rise of humour magazines and eventually, cartoons in Malayalam. However, the perception of these media and medium towards the other aspects of modernity was quite complex to say the least. The western educated woman and man, it can be found, have been featured in quite a number of cartoons across magazines. The article, therefore, focuses on the representations of changing gender relations in the Malayali society through cartoons published in humour magazines (Sanjayan, Vishwaroopam, Naradar and Sarasan) from late 1930s to 1960s. Starting with Sanjayan, these cartoons targeted the ‘modern’ women and men, albeit in different ways. Those on women lampooned their emancipation, education, access to the public sphere etc. and its perceived effect on the sociocultural setup, especially within and in relation to the institutions of marriage and family. On the other hand, men were ridiculed for their westernisation and emasculation.
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淑女与绅士:早期马拉雅拉姆漫画中不断变化的性别关系与焦虑
19世纪末,喀拉拉邦见证了一场觉醒,给社会各界留下了深刻的印象。英国的统治以及国家扩大教育和福利措施的尝试引发了现代性的到来,在几乎所有社区中发起了改革运动。接受现代教育的机会以及由此产生的对科学、哲学和人文价值以及诸如自由、平等、世俗主义和个人主义等观念的接触改变了男女对社会和对自我的看法。这也导致了媒体和新闻业的形成和传播,这反过来又导致了幽默杂志的兴起,并最终导致了马拉雅拉姆语的漫画。然而,这些媒介和媒介对现代性其他方面的感知至少可以说是相当复杂的。可以发现,受过西方教育的女性和男性已经出现在许多杂志的漫画中。因此,本文着重于通过30年代末至60年代在幽默杂志(Sanjayan, Vishwaroopam, Naradar和Sarasan)上发表的漫画来表现马来亚社会中不断变化的性别关系。从Sanjayan开始,这些漫画针对的是“现代”女性和男性,尽管方式不同。那些关于妇女的文章讽刺了她们的解放、教育、进入公共领域的机会等,以及它对社会文化结构的影响,特别是在婚姻和家庭制度内部和与之相关的影响。另一方面,男性因其西化和阉割而受到嘲笑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
16
期刊介绍: The Indian Historical Review (IHR), a peer reviewed journal, addresses research interest in all areas of historical studies, ranging from early times to contemporary history. While its focus is on the Indian subcontinent, it has carried historical writings on other parts of the world as well. Committed to excellence in scholarship and accessibility in style, the IHR welcomes articles which deal with recent advancements in the study of history and discussion of method in relation to empirical research. All articles, including those which are commissioned, are independently and confidentially refereed. The IHR will aim to promote the work of new scholars in the field. In order to create a forum for discussion, it will be interested in particular in writings which critically respond to articles previously published in this journal. The IHR has been published since 1974 by the Indian Council of Historical Research. It is edited by an Editorial Board appointed by the Council. The Council also obtains the advice and support of an Advisory Committee which comprises those members of the Council who are not members of the editorial board.
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