Hypermasculinity and infantilization of black superheroes: Analysis of Luke Cage and Rage origin stories

Reci Beograd Pub Date : 2019-12-24 DOI:10.5937/reci1912069b
Zlatko Bukač
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Abstract

This study covers the relation between popular superhero culture and racial difference, specifically, narratives about black superheroes. With the analysis of the origin stories of two black superheroes, Luke Cage and Rage, the paper will point out how their stories consequently and predominantly form discourses of representing difference through the process of infantilization, and by perpetuating stereotypes saturated primarily in hypermasculinity. By theoretically framing the notions of representation of difference within the works of Stuart Hall and Homi Bhabha, this analysis argues that hypermasculinity, anger issues, and infantilization came as specific subversive popular culture texts to respond to social and cultural challenges and problems in American society. In so doing, these discourses formed new stereotypes and maintained their circularity in expressing differences between the dominant white area in America’s society and various ethnic and racial minorities.
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黑人超级英雄的超男性化与幼稚化:卢克·凯奇与狂怒起源故事分析
本研究涵盖了流行超级英雄文化与种族差异的关系,特别是关于黑人超级英雄的叙述。本文将通过对两位黑人超级英雄卢克·凯奇和暴怒的起源故事的分析,指出他们的故事是如何通过幼稚化的过程,以及通过延续主要以超级男性化为主的刻板印象,从而最终并主要形成表现差异的话语的。通过对Stuart Hall和Homi Bhabha作品中差异表现概念的理论框架分析,本分析认为,超级男性化、愤怒问题和幼稚化是美国社会中对社会和文化挑战和问题做出回应的特定颠覆性流行文化文本。这样,这些话语形成了新的刻板印象,并在表达美国社会中占主导地位的白人地区与各种少数民族和种族之间的差异方面保持了循环性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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16
审稿时长
16 weeks
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