Reduce, Reuse, or Refuse?

IF 0.1 3区 艺术学 0 THEATER Nordic Theatre Studies Pub Date : 2023-06-20 DOI:10.7146/nts.v34i1.137929
Kitija Balcare
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Abstract

Taking into account that the performing arts could play a huge role in shaping the ecological awareness of society, it is important not only to look at the econarratives of performances but also to analyse the process of their production in terms of sustainability. Reduce, reuse, and recycle – these are essential components of environmentally responsible consumer behaviour. But what about the theatre scene? What are the main challenges for theatre professionals in terms of their ecological footprint? Despite the fact that theatre has been perceived as anti-ecological per se, the first signs of a shift in the mindset of theatre makers is already visible. There has been an increase in ecotheatre performances that not only use ecodramaturgy and represent crucial econarratives pertaining to environmental conservation but also apply aspects of sustainability in the production process of the performances. Such aspects are important in regard to the conviction that ecotheatre is becoming a form of environmental activism. During the recent pandemic (2020–22), several performances in Latvia were based on ecodramaturgy and contained features of ecotheatre. This paper aims to explore the latest sustainable practices and ecological aspects in the theatre scene in Latvia.
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减少,再利用,还是拒绝?
考虑到表演艺术可以在塑造社会的生态意识方面发挥巨大作用,重要的是不仅要看表演的叙述,还要从可持续性的角度分析其生产过程。减量、再利用和再循环——这些都是对环境负责的消费者行为的基本组成部分。但是戏剧场景呢?戏剧专业人士在生态足迹方面面临的主要挑战是什么?尽管戏剧本身被认为是反生态的,但戏剧创作者思维转变的第一个迹象已经显而易见。生态剧场的表演越来越多,不仅使用生态戏剧,代表了与环境保护有关的关键叙述,而且在表演的制作过程中也应用了可持续性的方面。这些方面对于生态剧场正在成为一种环境行动主义的信念是重要的。在最近的大流行期间(2020 - 2022年),拉脱维亚的几场演出以生态戏剧为基础,并包含生态戏剧的特征。本文旨在探讨拉脱维亚剧院场景中最新的可持续实践和生态方面。
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