Lockdown framing, or, listening during disruption

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Sound Studies Pub Date : 2022-01-02 DOI:10.1080/20551940.2022.2029085
C. Tonelli
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引用次数: 0

Abstract

Endel Promotional “Manifesto”. Accessed 1 January 2022. “Environments”. 2018, App, Numero Group, Google Play Store, Apple App Store. Environments New Concepts in Stereo Sound, disc 1 [1969]. New York: Syntonic Research. Environments New Concepts in Stereo Sound, disc 2 [1970]. New York: Syntonic Research. Environments Totally New Concepts in Stereo Sound, disc 3 [1971]. New York: Syntonic Research. Environments New Concepts in Stereo Sound, disc 5 [1974]. New York: Syntonic Research. Environments New Concepts in Stereo Sound, disc 8 [1974]. New York: Syntonic Research. Environments New Concepts in Stereo Sound, disc 9 [1979]. New York: Syntonic Research. Environments App. Google Play Store Description. Accessed 1 January 2022. https://play.google.com/store/apps/ details?id=com.numerogroup.environments&hl=de&gl=US Degeling, J., and M. Haffke, eds. 2021. Zeitschrift für Medienwissenschaft 24: Medien der Sorge. Vol. 13 (1). Bielefeld: Transcript. doi:10.25969/mediarep/15762. Eriksson, M., R. Fleischer, A. Johansson, P. Snickars, and P. Vonderau. 2019. Spotify Teardown. Inside the Black Box of Streaming Music. Cambridge, London: MIT Press. Hagood, M. 2019. Hush. Media and Sonic Self-Control. Durham, London: Duke University Press. Lanza, J. 2007. Elevator Music. A Surreal History of Muzak®, Easy Listening and Other Moodsong®. 4th ed. Ann Arbor: University of Michigan Press. Pelley, L., 2017. “The Problem with Muzak. Spotify’s Bid to Remodel an Industry.” The Baffler, [online], Dezember 37. Available at: https://thebaffler.com/salvos/the-problem-with-muzak-pelly [Accessed 2 May 2021] Roquet, P. 2016. Ambient Media. Japanese Atmospheres Of Self. London, Minneapolis: University of Minnesota Press. Sprenger, F. 2014. “Zwischen Umwelt und milieu – Zur Begriffsgeschichte von environment in der Evolutionstheorie.” Forum Interdisziplinäre Begriffsgeschichte [e-journal] 3 (2): 7–18. https://www.zfl-berlin. org/tl_files/zfl/downloads/publikationen/forum_begriffsgeschichte/ZfL_FIB_3_2014_2_Sprenger.pdf Turner, F. 2006. From Counterculture to Cyberculture. Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism. Chicago, London: University of Chicago Press.
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锁定框架,或者在中断期间监听
恩德尔宣传“宣言”。于2022年1月1日生效。“环境”。2018年,App, Numero Group, Google Play Store, Apple App Store。环境在立体声中的新概念,唱片1[1969]。纽约:Syntonic Research。环境立体声的新概念,唱片2[1970]。纽约:Syntonic Research。环境在立体声中的全新概念,唱片3[1971]。纽约:Syntonic Research。环境立体声新概念,唱片5[1974]。纽约:Syntonic Research。环境立体声新概念,唱片8[1974]。纽约:Syntonic Research。环境立体声新概念,唱片9[1979]。纽约:Syntonic Research。环境应用程序。谷歌Play商店描述。于2022年1月1日生效。id = com.numerogroup https://play.google.com/store/apps/细节?。环境&hl=de&gl=US Degeling, J.和M. Haffke主编。2021. 传媒学报(英文版)第24期。第13卷(1).比勒费尔德:成绩单。doi: 10.25969 / mediarep / 15762。Eriksson, M., R. Fleischer, A. Johansson, P. Snickars, P. Vonderau. 2019。Spotify拆卸。流媒体音乐的黑盒子里。剑桥,伦敦:MIT出版社。哈古德,M. 2019。嘘。媒体与声波自我控制。杜伦,伦敦:杜克大学出版社。兰扎,J. 2007。电梯音乐。Muzak®的超现实历史,轻松聆听和其他情绪歌曲®。第4版。安娜堡:密歇根大学出版社。Pelley, L., 2017。《穆扎克的问题》。Spotify试图重塑一个行业。”The Baffler,[在线],12月37日。Roquet, P. 2016。环境媒体。日本的自我氛围。伦敦,明尼阿波利斯:明尼苏达大学出版社。施伦格,2014。《环境与环境:进化论中的环境》。论坛Interdisziplinäre电子学报[j] 3(2): 7-18。https://www.zfl-berlin。特纳,F. 2006。从反主流文化到网络文化。斯图尔特·布兰德,全球网络和数字乌托邦主义的兴起。芝加哥,伦敦:芝加哥大学出版社。
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来源期刊
Sound Studies
Sound Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.30
自引率
0.00%
发文量
24
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