Stone, people and place

J. Hunter
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Abstract

Welcome to Time and Mind 14.2. A great deal of the focus of our journal is on the interaction of human minds with non-human environments, objects and entities – animals, plants, rocks, and the other components that make up the world around us – and how these interactions are encoded in material culture and archaeological remains. This issue is no different, and in particular emphasises the relationship between human consciousness and the cold surface of stone in a range of different cultural and ecological contexts, through cave art, monument construction and tablet inscription. To begin, in their paper – which has already attracted a great deal of attention in the media – Yafit Kedar, Gil Kedar and Ran Barkai present a compelling argument about the possible role of hypoxia (oxygen deprivation), and the altered states of consciousness that this condition entails, in the creation of palaeolithic cave art. Drawing on experimental fieldwork, the authors suggest that burning torches used to illuminate deep caverns were active in reducing oxygen levels in these spaces and, as a result, inducing hypoxic altered states in prehistoric artists. While there has been a long association of cave art with altered states of consciousness of various kinds, induced through diverse techniques such as rhythmic drumming, dancing, sensory deprivation, psychoactive substances and so on, the novel argument here is that it is the cave itself, and the oxygen levels within, that is active in provoking the altered state. Cave art, then, is an expression of the interaction between human artists and the cave itself. In ‘Pueblo ethnography, Sopris archaeology, and the sacred geography of Sopris rock art’ Thomas Huffman and Frank Earley explore the sacred geography of the Sopris culture in Colorado. Drawing on ethnographic work on the cosmological models and cosmogonic myths of the Pueblo Tewa and Tanoa people, Huffman and Earley suggest that the Sopris culture was likely related to that of the present day Pueblo people, rather than to a hypothesised huntergatherer group. The paper contains some fascinating observations of the sacred geography of the Pueblo worldview, and demonstrates how ethnographic insights can be drawn on for archaeological interpretation. Staying in Pre-Columbian America, Robert Weiner and Ema Smith’s paper ‘Great houses for whom?’ presents a new interpretation of the monumental Chacoan Great Houses of the American southwest. Again, drawing on comparative ethnographic material from indigenous American cultures and further afield, Weiner and Smith make the case for understanding the Great Houses in TIME AND MIND 2021, VOL. 14, NO. 2, 179–180 https://doi.org/10.1080/1751696X.2021.1926776
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石头,人和地方
欢迎来到时间与心灵14.2。我们期刊的大量焦点是人类思想与非人类环境、物体和实体(动物、植物、岩石和构成我们周围世界的其他组成部分)的相互作用,以及这些相互作用如何被编码在物质文化和考古遗迹中。这个问题也不例外,特别强调人类意识与石头冰冷表面之间的关系,在一系列不同的文化和生态背景下,通过洞穴艺术,纪念碑建设和碑文。首先,Yafit Kedar, Gil Kedar和Ran Barkai在他们的论文中——这篇论文已经引起了媒体的广泛关注——提出了一个令人信服的论点,即缺氧(缺氧)的可能作用,以及这种情况下意识状态的改变,在旧石器时代洞穴艺术的创造中。根据实验现场工作,作者认为,用于照亮深洞穴的燃烧火炬在降低这些空间的氧气水平方面很活跃,结果导致史前艺术家的缺氧改变状态。长期以来,人们一直将洞穴艺术与各种意识状态的改变联系在一起,这些意识状态的改变是通过不同的技巧(如有节奏的鼓声、舞蹈、感官剥夺、精神活性物质等)引起的,而这里的新观点是,洞穴本身以及洞穴内的氧气水平,在激发这种改变状态方面发挥了积极作用。因此,洞穴艺术是人类艺术家与洞穴本身相互作用的表现。在《普韦布洛民族志、索普里斯考古学和索普里斯岩石艺术的神圣地理》一书中,托马斯·霍夫曼和弗兰克·厄尔利探索了科罗拉多州索普里斯文化的神圣地理。根据关于普韦布洛Tewa和Tanoa人的宇宙学模型和宇宙起源神话的人种学研究,Huffman和Earley认为,Sopris文化很可能与今天的普韦布洛人有关,而不是一个假设的狩猎采集群体。这篇论文包含了对普韦布洛人世界观的神圣地理的一些引人入胜的观察,并展示了如何利用民族志的见解进行考古解释。回到前哥伦布时代的美洲,罗伯特·韦纳和埃玛·史密斯的论文《为谁而建的大房子?》’展示了对美国西南部具有纪念意义的查科大宅的新诠释。再一次,利用来自美国土著文化和更远地方的比较民族志材料,韦纳和史密斯在《时间与心灵》2021年第14卷第1期中提出了理解“大房子”的理由。2,179 - 180 https://doi.org/10.1080/1751696X.2021.1926776
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CiteScore
1.60
自引率
0.00%
发文量
23
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