Seamus Heaney’s Ecopoetry and Environmental Causes: From Conservation to Climate Change

Q1 Arts and Humanities Green Letters Pub Date : 2023-06-26 DOI:10.1080/14688417.2023.2227627
Yvonne Reddick
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Abstract

Seamus Heaney is viewed as a pre-eminent poet of nature, and is often read through the lens of ecopoetic and ecocritical theories. Yet no earlier scholarship has mentioned his support for conservation. Through research on archives, limited editions and conservation documents, this article shows that Heaney supported high-profile environmental organisations and campaigns, including the Irish Peatland Conservation Council, World Wildlife Fund, the Ulster Trust for Nature Conservation, the RSPB, and a campaign against a new road that threatened a bogland. This article challenges readings of Heaney that proposed that he merely explored a ‘connection’ to nature, and shows that he used writing to protect environments he cared about. Heaney’s modest environmental activities are not without complications. Yet when Heaney uses an early bog-poem to support a later conservation project, or when a campaign aims to save the ecology of ‘Heaney Country’, culture clearly plays a role in environmental engagement. ARTICLE HISTORY Received 11 April 2022 Accepted 9 June 2023
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谢默斯·希尼的《生态诗歌与环境原因:从保护到气候变化》
谢默斯·希尼被认为是一位杰出的自然诗人,他经常通过生态诗歌和生态批评理论的视角来解读。然而,早期的学术研究没有提到他对自然保护的支持。通过对档案、限量版和保护文件的研究,这篇文章表明希尼支持高调的环境组织和运动,包括爱尔兰泥炭地保护委员会、世界野生动物基金会、阿尔斯特自然保护信托基金、皇家动物保护协会,以及反对一条威胁沼泽的新道路的运动。这篇文章挑战了人们对希尼的解读,即希尼只是在探索与自然的“联系”,并表明他用写作来保护他所关心的环境。希尼适度的环保活动并非没有问题。然而,当希尼用一首早期的沼泽诗来支持后来的保护项目时,或者当一场旨在拯救“希尼之乡”生态的运动时,文化显然在环境参与中发挥了作用。文章历史接收日期2022年4月11日接收日期2023年6月9日
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来源期刊
Green Letters
Green Letters Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
38
期刊介绍: Green Letters: Studies in Ecocriticism explores the relationship between literary, artistic and popular culture and the various conceptions of the environment articulated by scientific ecology, philosophy, sociology and literary and cultural theory. We publish academic articles that seek to illuminate divergences and convergences among representations and rhetorics of nature – understood as potentially including wild, rural, urban and virtual spaces – within the context of global environmental crisis.
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