Religion und Film: Aktuelle religionsästhetische Forschungsperspektiven

Abstract

Olga Havenetidis, Der religiöse Refrain. Rückzugsszenen im europäischen Autorenfilm der Gegenwart. Eine Analyse (Panorama 5), Schüren Marburg 2013, 316 S. – Oliver Krüger, Die mediale Religion. Probleme und Perspektiven der religionswissenschaftlichen und wissenssoziologischen Medienforschung (Religion und Medien 1), Transcript Bielefeld 2012, 537 S. – Birgit Meyer, Sensational Movies. Video, Vision, and Christianity in Ghana (The Anthropology of Christianity 17), University of California Press Oakland (California) 2015, XIX + 380 S. – J. Ryan Parker, Cinema as Pulpit. Sherwood Pictures and the Church Film Movement. Foreword by Terry Lindvall, McFarland & Co. Jefferson (North Carolina) 2012, VIII + 211 S. – S. Brent Plate, Religion and Film. Cinema and the Re-Creation of the World, Columbia University Press New York (New York) 22017, XVIII + 207 S. – Milja Radović, Transnational Cinema and Ideology. Representing Religion, Identity and Cultural Myths (Routledge Studies in Religion and Film 4), Routledge New York (New York) 2014, 154 S. – Christian Suhr, Islamic Exorcism and the Cinema Fist. Analyzing Exorcism Among Danish Muslims Through the Prism of Film: Contemporary Islam 17 (2019) 121–137. – Christian Suhr/Rane Willerslev, Can Film Show the Invisible? The Work of Montage in Ethnographic Filmmaking: Current Anthropology 53 (2012) 282–395.