Elusive Better Future: Identity Crisis Among Immigrants in Yesterday’s People

M. Ćuk
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Abstract

Reminiscences of the past and melancholic feelings have often been present in the literature of the diaspora, which illustrates the fact that the life of an immigrant has never been easy since s/he has to deal with many unfavourable circumstances. Immigrant identity cannot remain exactly the same after arrival in a new cultural milieu. Elements of the original identity may be lost or transformed into new forms. Old selves cannot be completely assimilated into the new cultural pattern. Apart from this, there are other obstacles, which are presented in a symbolic way in Goran Simić’s collection of short stories Yesterday’s People. This Canadian author of Serbian origin has compiled a dossier of Yugoslavian immigrants in Canada who left the country in the last decade of the twentieth century due to the horrors of the war in Bosnia. Since they emigrated in a tumultuous social climate when the foundations of the old cultural identity had been destabilized and called into question, they cannot deal in a productive way with a new phase of their life in the diaspora and find their purpose at the moment . Similarly, to his protagonists, Goran Simić was affected by the Bosnian conflict, but he has succeeded in reshaping himself in his new surroundings, reworking his memories in a creative way and integrating into Canadian literature as a writer. However, scarred and traumatized yesterday’s people in his stories cannot grapple successfully with the existential problems and their identity crises, and they are constantly wedged between the haunting past and the elusively better future. The aim of this paper is to discuss the possible problems at the “meeting point” between the discourses and practices which shaped immigrants’ identity in their native land and the processes which construct them as subjects in the present, by relying on Stuart Hall’s theoretical views in “Who needs an Identity”.
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难以捉摸的美好未来:昨日移民的身份危机
对过去的回忆和忧郁的情绪经常出现在流散的文学作品中,这说明移民的生活从来都不容易,因为他/她必须处理许多不利的环境。移民的身份在到达一个新的文化环境后不可能完全保持不变。原始身份的元素可能会丢失或转变为新的形式。旧的自我不能完全融入新的文化模式。除此之外,还有其他障碍,这些障碍在戈兰·西米奇的短篇小说集《昨天的人》中以一种象征性的方式呈现出来。这位塞尔维亚裔的加拿大作家汇编了一份在二十世纪最后十年由于波斯尼亚战争的恐怖而离开加拿大的南斯拉夫移民的档案。由于他们是在旧的文化特性的基础已经动摇和受到质疑的混乱的社会气氛中移民的,他们无法以富有成效的方式处理他们在散居的生活的新阶段,并在当时找到他们的目标。同样,对于他的主人公来说,戈兰·西米奇也受到了波斯尼亚冲突的影响,但他成功地在新环境中重塑了自己,以一种创造性的方式重塑了自己的记忆,并以作家的身份融入了加拿大文学。然而,在他的故事中,伤痕累累、精神受到创伤的昨天的人们无法成功地解决存在的问题和他们的身份危机,他们不断地在难以忘怀的过去和难以捉摸的美好未来之间挣扎。本文的目的是通过斯图尔特·霍尔在《谁需要身份》中的理论观点,讨论在“交汇点”上可能出现的问题,即在他们的祖国塑造移民身份的话语和实践,以及在当前将他们构建为主体的过程。
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自引率
50.00%
发文量
1
审稿时长
10 weeks
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