Toward a Native Archive: Chicago’s Relocation Photos, Indian Labor, and Indigenous Public Text

Megan Tusler
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Abstract

Abstract:This article is an encounter with a governmentally organized archive, one that underscores how photo and text together describe emerging communities and alternative forms of belonging. Between 1953 and 1957 the Bureau of Indian Affairs (BIA) began what it called the “relocation project,” which moved American Indians from rural reservations to major American urban centers. The BIA maintained an archive of photographs of relocatees both before and after relocation and produced pamphlets, internal documents, newsletters, and other bureaucratic material. This article illustrates how a literary historical reading of these images enables new claims on urban American Indian belonging in the United States in the early 1950s. It contextualizes American Indian relocation as an institutionalized but also surprisingly aestheticized endeavor. The project explores an aesthetics of the ordinary that demands rethinking the work of photography in the twentieth century and contributes to ongoing conversations in the construction of Native archives.
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走向本地档案:芝加哥搬迁照片、印第安劳工和本土公共文本
摘要:本文是与政府组织的档案的一次邂逅,它强调了照片和文本如何共同描述新兴社区和其他形式的归属感。1953年至1957年间,印第安事务局(BIA)开始了所谓的“搬迁计划”,将印第安人从农村保留地迁往美国主要的城市中心。移民事务局保存了一个档案,记录了移民前后的照片,并制作了小册子、内部文件、通讯和其他官僚材料。这篇文章阐述了如何通过对这些图像的文学历史解读,对20世纪50年代早期美国城市印第安人的归属提出新的主张。它将美国印第安人的重新安置作为一种制度化的,但也令人惊讶地美学化的努力。该项目探索了一种普通的美学,要求重新思考20世纪的摄影作品,并有助于正在进行的土著档案建设对话。
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