{"title":"“Playing with the Bull”: Breeding, Blood, and Ritual in Multispecies Ethnography of Peruvian Bullfighting","authors":"John Hartigan Jr, Alexander Menaker","doi":"10.1111/jlca.12585","DOIUrl":null,"url":null,"abstract":"<p><i>Turupukllay</i> is a popular form of bullfighting in Peru that unfolds over several days. Social analysis of <i>turupukllay</i> has largely focused on the symbolic dimension of its most sensational form, <i>Yawar Fiesta</i>, in which a condor is affixed to the back of the bull. But regarding these animals merely as symbols results in a limited sense of “play,” particularly given how <i>turupukllay</i> encompasses the bull as a life-form. Based on fieldwork in Andagua, Peru, we argue that playing with the bull is more extensive: <i>turupukllay</i> can be seen as playing with <i>tauromaquia</i> broadly—the art, life, and regulation of Spanish-style bullfighting. In Andagua, <i>turupukllay</i> plays with the bull through local breeding practices that physically transform it while also engaging in an ongoing burlesque of the formal features in <i>tauromaquia</i>. This version of <i>turupukllay</i> highlights an ongoing historical dynamic at play in the wide popularity of <i>corrida de toros</i> in Peru.</p>","PeriodicalId":45512,"journal":{"name":"Journal of Latin American and Caribbean Anthropology","volume":"27 1-2","pages":"57-79"},"PeriodicalIF":0.7000,"publicationDate":"2022-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Latin American and Caribbean Anthropology","FirstCategoryId":"90","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/jlca.12585","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 1
Abstract
Turupukllay is a popular form of bullfighting in Peru that unfolds over several days. Social analysis of turupukllay has largely focused on the symbolic dimension of its most sensational form, Yawar Fiesta, in which a condor is affixed to the back of the bull. But regarding these animals merely as symbols results in a limited sense of “play,” particularly given how turupukllay encompasses the bull as a life-form. Based on fieldwork in Andagua, Peru, we argue that playing with the bull is more extensive: turupukllay can be seen as playing with tauromaquia broadly—the art, life, and regulation of Spanish-style bullfighting. In Andagua, turupukllay plays with the bull through local breeding practices that physically transform it while also engaging in an ongoing burlesque of the formal features in tauromaquia. This version of turupukllay highlights an ongoing historical dynamic at play in the wide popularity of corrida de toros in Peru.
Turupukllay是秘鲁一种流行的斗牛形式,持续数天。对turupukllay的社会分析主要集中在其最轰动的形式——亚瓦尔节(Yawar Fiesta)的象征维度上,在这一形式中,一只秃鹰被贴在公牛的背上。但是,把这些动物仅仅看作是象征,会导致一种有限的“游戏”感,特别是考虑到turupukllay如何将公牛作为一种生命形式。根据在秘鲁安达瓜的田野调查,我们认为与公牛玩耍的范围更广:turupukllay可以被看作是与tauromaquia玩耍——西班牙式斗牛的艺术、生活和规则。在安达瓜,turupukllay通过当地的繁殖实践与公牛玩耍,这些实践在物理上改变了公牛,同时也参与了对牛头马基亚正式特征的持续滑稽表演。这个版本的turupukllay突出了在秘鲁广受欢迎的corrida de toros中正在进行的历史动态。