THE CONCEPTOSPHERE OF THE SACRED IN THE COLLECTION "GARDEN OF DIVINE SONGS" BY HRIHORY SKOVORODA

Tetiana Syvets
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Abstract

The collection of metaphysical poems by Hrihory Skovoroda "The Garden of Divine Songs" is considered from the standpoint of biblical hermeneutics and cognitive literary studies. The question of the relevance of the study of baroque lyrics through the use of modern literary methods is clarified. The expediency of using the concepts "concept" and "Christian concept" in relation to the study of the sphere of the sacred is determined. Particular attention is paid to the variety of approaches found in scientific studies of the "sacred" as a category. Analysis of poems from the collection - 30 (thirty) - presented in the form of a table with the definition of ideas, main concepts and conceptual metaphors. On the basis of the conceptual analysis, the basic concepts that form the conceptual sphere of the sacred in the collection "Garden of Divine Songs" and explained in other philosophical and poetic works of the Ukrainian artist are highlighted, namely: SIN AND ATONEMENT, GOD (CHRIST, SPIRIT), FREEDOM, HAPPINESS, SALVATION, CROSS and others. Since hermeneutic analysis is connected with the universality of linguistic structures, it seems natural to combine it with conceptual analysis in order to clarify the textual meanings in metaphysical lyrics, which, in fact, is mostly expressed by hidden signs, symbols and authorial hints in the form of intertextual inlays. The artistic interpretation of the text, which is assumed by the hermeneutic analysis, is closely related to the cognitive and evaluative characteristics of both the hidden meanings themselves and the determination of the degree of the "author's presence" in the artistic text. Therefore, the axiological component mutually determines the application of conceptual analysis, and as a result, the definition of the conceptosphere of the sacred in the above-mentioned collection of poems. Special attention is paid to the figure of Hrihory Skovoroda as an extraordinary creative nature and baroque personality who was ahead of his time and remains relevant both by himself and by his creative achievements to this day.
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斯科沃罗达诗集《神曲花园》中神圣的概念圈
本文从圣经解释学和认知文学研究的角度对斯科沃罗达的玄学诗集《神歌园》进行了研究。通过使用现代文学方法研究巴洛克歌词的相关性问题得到澄清。使用概念的权宜之计“概念”和“基督教概念”的研究领域的神圣是确定的。特别注意的是,在“神圣”作为一个范畴的科学研究中发现的各种方法。分析诗集中的诗歌- 30(三十)-以表格的形式呈现,并定义了思想,主要概念和概念隐喻。在概念分析的基础上,强调了构成“神曲花园”系列中神圣概念领域的基本概念,并在乌克兰艺术家的其他哲学和诗歌作品中进行了解释,即:罪与赎罪,上帝(基督,精神),自由,幸福,救赎,十字架等。由于解释学分析与语言结构的普遍性相联系,因此,为了阐明形而上抒情诗中的文本意义,将解释学分析与概念分析结合起来似乎是很自然的,而形而上抒情诗中的文本意义实际上大多是通过隐含的符号、符号和作者的暗示,以互文镶嵌的形式来表达的。解释学分析所假定的文本的艺术解释,既与隐含意义本身的认知特征和评价特征密切相关,也与艺术文本中“作者的存在”程度的确定密切相关。因此,价值论成分相互决定了概念分析的运用,从而决定了《诗集》中神圣概念圈的界定。特别关注的是Hrihory Skovoroda的形象,他具有非凡的创造力和巴洛克风格的个性,领先于他的时代,并且直到今天仍然与他自己和他的创作成就有关。
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