{"title":"Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–1931","authors":"Agata Frymus","doi":"10.1353/cj.2023.0005","DOIUrl":null,"url":null,"abstract":"ABSTRACT:The Alhambra theater opened in New York City in 1905, on the corner of 126th Street and Seventh Avenue, initially as a vaudeville theater catering to white audiences. This article examines the changing racial politics of the theater, which took place as a response to the increasing presence of Black residents in the area. It uses Black weeklies to reconstruct its attitude toward African American patrons, as the Alhambra progressed from a whites-only theater to a buzzing center of Black sociability. In concentrating on a specific cinematic venue, the article provides an insight into Black entertainment in the urban North before the 1930s.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2023.0005","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 2
Abstract
ABSTRACT:The Alhambra theater opened in New York City in 1905, on the corner of 126th Street and Seventh Avenue, initially as a vaudeville theater catering to white audiences. This article examines the changing racial politics of the theater, which took place as a response to the increasing presence of Black residents in the area. It uses Black weeklies to reconstruct its attitude toward African American patrons, as the Alhambra progressed from a whites-only theater to a buzzing center of Black sociability. In concentrating on a specific cinematic venue, the article provides an insight into Black entertainment in the urban North before the 1930s.