Ángel Ventura Villanueva, J. D. D. Borrego de la Paz, Francisco Javier Alarcón Castellano
{"title":"M. Agrippa ¿propietario de canteras de mármol en Carrara? Nueva nota lapicidinarum Lunensium hallada en el teatro romano de Gades","authors":"Ángel Ventura Villanueva, J. D. D. Borrego de la Paz, Francisco Javier Alarcón Castellano","doi":"10.3989/AESPA.094.021.05","DOIUrl":null,"url":null,"abstract":"We present a bardiglio-marble plaque that formed the pluteus of the prohedria in the Roman theatre of Cadiz. On the underside, with a rough quarry extraction surface, it bears the inscribed mark AGR followed by the numeral CXXXV which, according to the hermeneutics of these notae lapicidinarum, allows confirming the role of Marcus Agrippa in the exploitation of Luni-Carrara marbles. The early use of imported marmora in the construction of this Hispanic theatre (27-13 BC) is explained by the patronage relationship over Gades of Agrippa and Cornelius Balbus Minor.","PeriodicalId":8356,"journal":{"name":"Archivo Espanol De Arqueologia","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archivo Espanol De Arqueologia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/AESPA.094.021.05","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
We present a bardiglio-marble plaque that formed the pluteus of the prohedria in the Roman theatre of Cadiz. On the underside, with a rough quarry extraction surface, it bears the inscribed mark AGR followed by the numeral CXXXV which, according to the hermeneutics of these notae lapicidinarum, allows confirming the role of Marcus Agrippa in the exploitation of Luni-Carrara marbles. The early use of imported marmora in the construction of this Hispanic theatre (27-13 BC) is explained by the patronage relationship over Gades of Agrippa and Cornelius Balbus Minor.