The suitcase series: an enduring participatory theatre making program in even more urgent times

Dr Megan Upton
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引用次数: 1

Abstract

ABSTRACT Malthouse Theatre’s The Suitcase Series celebrated ten years in 2020. As a participatory theatre making program for young people in Years 9 and 10 of secondary education, it holds a unique position in the Victorian and, arguably, the Australian theatre education landscape. Since 2010 Malthouse Theatre has commissioned an original script by a new playwright every two years, then challenging young people to give voice to their thoughts and feelings to the issue through the interrelated roles of creator-performer-audience-critical peer. This paper offers critical insight into the origin, intentions, process, and social and artistic impacts of the program across ten years. It positions the Malthouse as a key contributor to the field of participatory theatre programs in Australia, and considers how theatre can create ‘something very forceful, something that we believe, then offer to students in a way that doesn’t crush them’ (Lynch, 2010).
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手提箱系列:在更紧急的时代,一个持久的参与式戏剧制作项目
Malthouse剧院的《手提箱》系列在2020年庆祝了十周年。作为面向中学九年级和十年级学生的参与式戏剧制作课程,它在维多利亚时代乃至澳大利亚戏剧教育领域占有独特的地位。自2010年以来,Malthouse剧院每两年委托一位新剧作家创作原创剧本,然后挑战年轻人通过创作者-表演者-观众-批评同伴的相互关联角色来表达他们对这个问题的想法和感受。本文对十年来该项目的起源、意图、过程以及社会和艺术影响提供了批判性的见解。它将Malthouse定位为澳大利亚参与式戏剧项目领域的关键贡献者,并考虑戏剧如何创造“一些非常有力的东西,一些我们相信的东西,然后以一种不会压垮他们的方式提供给学生”(Lynch, 2010)。
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