Colin Clout (Again)

Q1 Arts and Humanities Spenser Studies Pub Date : 2020-01-01 DOI:10.1086/706523
J. Grogan
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引用次数: 1

Abstract

This essay begins by asking what exactly it means to “know” Colin Clout in his several and striking appearances in Spenser’s poems. It goes on to consider the help in answering this question that a modern reader of Spenser might glean from writers and theorists of autofiction today. It points out three areas in which an understanding of autofictional techniques and values helps to shed light on the complex literary persona and praxis of Spenser’s Colin Clout—worldliness, voice, and performance—and sets out some exploratory arguments in relation to each of these.
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Colin Clout(又一次)
本文首先要问的是,在斯宾塞的诗歌中,“认识”科林·格劳特的几个引人注目的形象究竟意味着什么。接着,它考虑了斯宾塞的现代读者可能从今天的自传体小说作家和理论家那里收集到的有助于回答这个问题的信息。它指出了三个方面,其中对自传体小说的技巧和价值的理解有助于揭示斯宾塞的科林·克鲁复杂的文学人格和实践——世俗、声音和表演,并就每一个方面提出了一些探索性的论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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Front Matter “Soveraigne place”: Spenser with Henri Lefebvre Thinking through Symbionts: Spenser with Donna Haraway On Dissonance and Late Style: Spenser with Theodor W. Adorno In the Person of the Author: A Response to “Imagined Companions”
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