After 9/11-Thinking About the Global, Thinking About Postcolonial

IF 0.9 4区 社会学 Q2 CULTURAL STUDIES Cultural Studies-Critical Methodologies Pub Date : 2002-08-01 DOI:10.1177/153270860200200305
Cameron R. McCarthy
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引用次数: 5

Abstract

in a teacup, to capture the sands of the beach in the cup of one’s hand. What I write instead is a meditation, a set of scattered thoughts, reflections on the usefulness of postcolonial theorizing in these times, and my own biography as a postcolonial subject and educator. If there is anyone who still resists the ideas of globalization, transnationalism, postcolonialism, and their implications for how we live with each other in the modern world, their implications for the taken-for-granted organizing categories such as nation, state, culture, identity, and Empire-the idea that we live in a deeply interconnected world in which centers and margins are unstable and are constantly being redefined, rearticulated, and reordered-then, such a person must have been awaken from his or her methodological slumber by the events of 9/11. The critical events of that day-the attacks on the World Trade Center and the Pentagon and the crescendo of the fallout attendant to these extraordinary acts-threaten to consume us all. It is striking, in the language of Michael Hardt and Antonio Negri’s Empire (2000), how fragile modern forms of center-periphery arrangements of imperial rule are. It is striking-with the intensification of representational technologies,
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9/11之后,思考全球,思考后殖民
在一个茶杯里,把沙滩上的沙子抓在手里的杯子里。相反,我写的是一种沉思,一组零散的想法,对这些时期后殖民理论的有用性的反思,以及我自己作为后殖民主体和教育家的传记。如果还有人仍然抵制全球化、跨国主义、后殖民主义的思想,以及它们对我们在现代世界中如何相处的影响,它们对民族、国家、文化、身份和帝国等理所当然的组织类别的影响——即我们生活在一个深度互联的世界中,中心和边缘是不稳定的,并且不断被重新定义、重新表述和重新排序——那么,这样的人一定是被911事件从方法论的沉睡中唤醒的。那一天发生的重大事件——对世贸中心和五角大楼的袭击以及这些非同寻常的行为所带来的日益严重的后果——威胁着我们所有人。用迈克尔·哈特(Michael Hardt)和安东尼奥·内格里(Antonio Negri)的《帝国》(Empire)(2000)的语言来说,帝国统治的中心-外围安排的现代形式是多么脆弱,这令人震惊。随着具象技术的加强,
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来源期刊
CiteScore
1.40
自引率
16.70%
发文量
55
期刊介绍: The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.
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