Painting Comics as a “Permanent Commentary on the State of the Arts”*

IF 0.2 2区 艺术学 0 ART KONSTHISTORISK TIDSKRIFT Pub Date : 2017-01-02 DOI:10.1080/00233609.2016.1237542
M. Santos
{"title":"Painting Comics as a “Permanent Commentary on the State of the Arts”*","authors":"M. Santos","doi":"10.1080/00233609.2016.1237542","DOIUrl":null,"url":null,"abstract":"SummaryEduardo Batarda (b. 1943, Coimbra, Portugal) is a Portuguese painter, whose work has, by its particular characteristics, been questioning art history, as well as the relation between art and politics throughout the years, since 1964. I propose to focus particularly in some examples of his paintings from the 1970s when Batarda developed a watercolour technique of saturated colours and refined drawing to make an explicit cumulative figuration akin to underground comics. He used it not only to comment the changing in the art world but in the world itself, namely the political changes in Portugal and the colonial war, as well as foreign policies, mixing all up in layers of multiple readings, and intrinsically connecting art history and politics. The fact that he used comics to do it was a way of mocking the art world with a language that was considered “low”. He also used the watercolour technique consciously for its conventional relegation to a less prestigious realm, and both this technique along wit...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"KONSTHISTORISK TIDSKRIFT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609.2016.1237542","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1

Abstract

SummaryEduardo Batarda (b. 1943, Coimbra, Portugal) is a Portuguese painter, whose work has, by its particular characteristics, been questioning art history, as well as the relation between art and politics throughout the years, since 1964. I propose to focus particularly in some examples of his paintings from the 1970s when Batarda developed a watercolour technique of saturated colours and refined drawing to make an explicit cumulative figuration akin to underground comics. He used it not only to comment the changing in the art world but in the world itself, namely the political changes in Portugal and the colonial war, as well as foreign policies, mixing all up in layers of multiple readings, and intrinsically connecting art history and politics. The fact that he used comics to do it was a way of mocking the art world with a language that was considered “low”. He also used the watercolour technique consciously for its conventional relegation to a less prestigious realm, and both this technique along wit...
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
绘画漫画作为“对艺术状态的永久评论”*
爱德华多·巴塔达(出生于1943年,葡萄牙科英布拉)是一位葡萄牙画家,自1964年以来,他的作品以其独特的特点一直在质疑艺术史,以及艺术与政治之间的关系。我建议特别关注他在20世纪70年代的一些作品,当时巴塔达发展了一种饱和色彩和精致绘画的水彩技术,以制作类似于地下漫画的明确的累积图形。他不仅用它来评论艺术界的变化,也用它来评论世界本身的变化,即葡萄牙的政治变化和殖民战争,以及外交政策,将所有这些混合在多层次的多重阅读中,并将艺术史与政治内在地联系在一起。事实上,他用漫画来做这件事是用一种被认为是“低级”的语言嘲笑艺术界的一种方式。他还有意识地使用水彩技术,因为它的传统降级到一个不那么有声望的领域,这两种技术都与……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: Konsthistorisk tidskrift/Journal of Art History includes investigations on art, architecture, and visual culture. We welcome articles on works, creators, and specific themes, as well as on theory and historiography. Accepted articles can be thorough explorations of a topic in accordance with a standard academic genre. We also welcome texts in a shorter, less finished format, functioning as openings to discussions.
期刊最新文献
Seeing Red: Menstrual Art and Political Portraiture in the Trump Era Spiritual transcendence and androgyny within Swedish and Finnish transnational SymbolismBirte Bruchmüller. Spiritual transcendence and androgyny within Swedish and Finnish transnational Symbolism , Möklinta, Gidlunds Förlag, 2022. 344 pp, ISBN 978 91 7844 495 3 Colonial Objects in Early Modern Sweden and Beyond. From the Kunstkammer to Current Museum Crisis American Art at the 1897 Stockholm Exhibition Cinderella and the Big Monster: Mail Art and the Museum
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1