MEETING WITH THE DOUBLE: THE PHENOMENON OF DOUBLE IN PROSE YURI KOSACH, IHOR KOSTETSKY, VIKTOR DOMONTOVYCH

V. Vasylenko
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Abstract

The paper is devoted to the study of the artistic interpretation of the phenomenon of duality in Ukrainian emigration prose, in particular in the works of Yuri Kosach ("The Voice from afar"), Ihor Kostetsky ("The price of a human name"), and Viktor Domontovych ("The tamed haydamak"). The peculiarities of interpretation by Ukrainian émigré writers of the concepts of duality and double, their ideological content and autobiographical overtones are analyzed. Attention is focused on the creation of a system of double characters, the main artistic techniques used by the authors to depict the duality of man and the world as well as inter-textual parallels of the studied texts. Duality is considered in these texts both as a certain motive realized through understanding the phenomenon of duality of a person and the world, and as an artistic device that affects the organization of the work system (figurative, plot, composition). It is noted that in the texts under study, the phenomenon of duality, although it has distinctly romantic features, demonstrates new changes based on modernist artistic means and associated with the problem of identity. It is artistically expressed by such means as the principle of "polar mirroring", the interweaving of "external" and "internal" plots, the sleep as an artistic technique, the motif of the "mechanic man", etc. In the content of the works, it is realized thought an appeal to the theme of taboo, isolated and repressed memory (by Yuri Kosach), the question of name and biography (by Ihor Kostetsky), the problem of the integrity of the human personality (by Viktor Domontovych). It is argued that the phenomenon of duality turned out to be a fairly productive artistic model, which made it possible to identity significant contradictions in the human character and thinking, to realize the complexity and ambiguity of the world and the person in it, their interconnectedness and interdependence.
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与双重相遇:散文中的双重现象尤里·科萨奇,伊霍尔·科斯泰茨基,维克托·多蒙托维奇
本文致力于研究乌克兰移民散文中二元现象的艺术解释,特别是尤里·科萨奇(《远方的声音》)、伊霍尔·科斯泰茨基(《一个人的名字的代价》)和维克托·多蒙托维奇(《被驯服的海达马克》)的作品。分析了乌克兰作家对二元和双重概念的解读特点、思想内涵和自传体色彩。作者主要运用艺术手法来刻画人与世界的二元性,以及所研究文本的文本间的平行关系。在这些文本中,二元性既被认为是通过理解人和世界的二元性现象而实现的某种动机,也被认为是影响作品系统组织(比喻、情节、构图)的一种艺术手段。文章指出,在所研究的文本中,二元现象虽然具有鲜明的浪漫主义特征,但在现代主义艺术手段的基础上表现出新的变化,并与身份问题有关。通过“极镜”原则、“外”与“内”情节的交织、睡眠作为一种艺术手法、“技工”母题等手法进行艺术表现。在作品的内容中,它实现了对禁忌、孤立和压抑的记忆(尤里·科萨奇)、名字和传记问题(伊霍尔·科斯泰茨基)、人格完整性问题(维克托·多蒙托维奇)的主题的呼吁。作者认为,这种二元现象是一种相当富有成效的艺术模式,它使人们能够识别人的性格和思维中的重大矛盾,认识到世界和世界中的人的复杂性和模糊性,以及它们之间的相互联系和相互依存。
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