The Spectacle of History: Nikhil Chopra at the Met

IF 0.1 3区 艺术学 0 THEATER PAJ-A JOURNAL OF PERFORMANCE AND ART Pub Date : 2022-01-01 DOI:10.1162/pajj_a_00602
N. Taylor
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Abstract

For nine days, from September 12–20, 2019, Indian-born performance artist Nikhil Chopra lived, ate, slept, drew, and performed in the Metropolitan Museum of Art in New York City for his performance of Land, Water, and Skies. Museums invite spectators to step into another universe by displaying artifacts behind vitrines with decors that mimic their original locations, leaving the untold stories of how they got there to the viewer’s imagination. Chopra’s performance brought the illusion of the authenticity of museum spaces to life. As an artist-in-residence, he offered viewers a “spectacle of history,” or a live interpretation of what historical artefacts enact silently behind their glass cases. By inhabiting the museum galleries, donning various costumes, and drawing on a large canvas, he acted like a live museum object. As he stated of the piece, “My body is a ‘museum’ that holds a collection of memories. I don’t view the Met as a neutral space; I come from India and I carry the subcontinent’s colonial past with me.”
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历史奇观:Nikhil Chopra在大都会博物馆
2019年9月12日至20日,印度出生的行为艺术家Nikhil Chopra在纽约大都会艺术博物馆生活、吃饭、睡觉、绘画和表演了9天,以进行他的“土地、水和天空”表演。博物馆通过在玻璃橱窗后面展示模仿其原始位置的装饰的文物,邀请观众进入另一个宇宙,将他们如何到达那里的不为人知的故事留给观众的想象。乔普拉的表演给博物馆空间的真实性带来了幻觉。作为一名驻场艺术家,他为观众提供了一场“历史奇观”,或者是一场对历史文物在玻璃陈列柜后面无声上演的现场诠释。他住在博物馆的展厅里,穿着各种各样的服装,在大画布上画画,就像一个活生生的博物馆对象。正如他对这件作品的描述,“我的身体是一个‘博物馆’,里面收藏着回忆。我不认为大都会是一个中立的空间;我来自印度,我身上带着印度次大陆的殖民历史。”
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