{"title":"The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making","authors":"Rowan Bailey, N. Walton","doi":"10.1080/14759756.2022.2102731","DOIUrl":null,"url":null,"abstract":"The Big Rainbow Knit is a project informed and influenced by craftivist practices and culminated in the yarn bombing of Huddersfield train station by local, national and international communities of knitters in June 2021. As a landmark project within the WOVEN in Kirklees bi-annual festival, it became an important force for social cohesion in a Covid-19 context. This article introduces The Big Rainbow Knit as a specific case study within the wider context of Kirklees Council’s approach to place-based making. 1 As a textile festival WOVEN in Kirklees is made with, by and for local communities. We firstly address place-based making approaches in the contexts of craftivism and community practice with the aim of secondly, considering how The Big Rainbow Knit is a manifestation of co-creative participation in the spirit of social cohesion. Thirdly, we consider how the concept of the “glocal” is a means through which to reflect on the links between online and offline platforms. We argue that the hybrid between near and far in a “glocal” milieu allows for a range of voices (active knitters, audiences as recipients of yarn bombing activities and community group engagements with The Big Rainbow Knit) to become more visible as key agents in a place-based process. Collectively, these voices, gathered through a range of feedback mechanisms, have helped to change perceptions and attitudes toward knitting in a local authority context and to offer new insights into the ways in which the making-agency of knit can acquire value through place-based cultural development. [ FROM AUTHOR] Copyright of Textile: The Journal of Cloth & Culture is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)","PeriodicalId":32765,"journal":{"name":"Textile Leather Review","volume":"53 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Textile Leather Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14759756.2022.2102731","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The Big Rainbow Knit is a project informed and influenced by craftivist practices and culminated in the yarn bombing of Huddersfield train station by local, national and international communities of knitters in June 2021. As a landmark project within the WOVEN in Kirklees bi-annual festival, it became an important force for social cohesion in a Covid-19 context. This article introduces The Big Rainbow Knit as a specific case study within the wider context of Kirklees Council’s approach to place-based making. 1 As a textile festival WOVEN in Kirklees is made with, by and for local communities. We firstly address place-based making approaches in the contexts of craftivism and community practice with the aim of secondly, considering how The Big Rainbow Knit is a manifestation of co-creative participation in the spirit of social cohesion. Thirdly, we consider how the concept of the “glocal” is a means through which to reflect on the links between online and offline platforms. We argue that the hybrid between near and far in a “glocal” milieu allows for a range of voices (active knitters, audiences as recipients of yarn bombing activities and community group engagements with The Big Rainbow Knit) to become more visible as key agents in a place-based process. Collectively, these voices, gathered through a range of feedback mechanisms, have helped to change perceptions and attitudes toward knitting in a local authority context and to offer new insights into the ways in which the making-agency of knit can acquire value through place-based cultural development. [ FROM AUTHOR] Copyright of Textile: The Journal of Cloth & Culture is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)
Big Rainbow Knit是一个受手工艺者实践影响的项目,并在2021年6月由当地、国家和国际针织社区在哈德斯菲尔德火车站的纱线爆炸事件中达到高潮。作为Kirklees两年一度的节日中weave的标志性项目,它成为Covid-19背景下社会凝聚力的重要力量。这篇文章介绍了大彩虹编织作为一个具体的案例研究,在更广泛的背景下,Kirklees委员会的方法,以地方为基础的制作。1 .作为一个纺织节,科克利斯的WOVEN是由当地社区共同制作的,也是为当地社区制作的。我们首先在工艺主义和社区实践的背景下解决基于场所的制作方法,其次,考虑到“大彩虹编织”是社会凝聚力精神下共同创作参与的体现。第三,我们考虑了“全球本地”的概念如何成为一种手段,通过它来反思线上和线下平台之间的联系。我们认为,在“全球本地”环境中,远近之间的混合允许一系列声音(活跃的编织者,作为纱线轰炸活动接受者的观众和与the Big Rainbow Knit的社区团体参与)在基于地点的过程中作为关键代理变得更加明显。总的来说,这些声音通过一系列反馈机制收集起来,帮助改变了当地政府对编织的看法和态度,并为编织的制作机构如何通过基于地方的文化发展获得价值提供了新的见解。纺织品版权:The Journal of Cloth & Culture是Taylor & Francis Ltd的财产,未经版权所有者的明确书面许可,其内容不得复制或通过电子邮件发送到多个网站或发布到listserv。但是,用户可以打印、下载或通过电子邮件发送文章供个人使用。这可以删节。对副本的准确性不作任何保证。用户应参阅原始出版版本的材料的完整。(版权适用于所有人。)