{"title":"Life, Death, and the Living Dead in the Time of COVID-19","authors":"J. D. Derian, Phillip Gara","doi":"10.1215/17432197-8797585","DOIUrl":null,"url":null,"abstract":"Abstract:Is COVID-19 our first global zombie event? The question leads to others that fall outside the decorum of official discourse, possibly because the answers reach beyond the pale of the state. Unable to understand the nature of the threat, national leaders failed early and caught on late to the need for a globally coordinated response. Coupled with a deep resistance by states to the alienation of any degree of sovereignty to international institutions, the prospect of a global solution to the zombie question remains elusive. This essay offers an interpandemic response to the novel coronavirus that cuts across borders and against the grain. The first is transnational, to identify from the parallax view of Sydney and Los Angeles emergent risks that defy single-state fixes. The second is transhistorical, to counter efforts by China and the United States to subsume a human security crisis into the narrative of an eternal Cold War. The third is transmedial, to acquire new political and cultural perspectives on the pandemic through the zombie cinematic genre, including our documentary film, Project Z: The Final Global Event. A zombie inquiry can help us understand how COVID-19 is both disease and potential cure of late and rising empires.","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-8797585","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 2
Abstract
Abstract:Is COVID-19 our first global zombie event? The question leads to others that fall outside the decorum of official discourse, possibly because the answers reach beyond the pale of the state. Unable to understand the nature of the threat, national leaders failed early and caught on late to the need for a globally coordinated response. Coupled with a deep resistance by states to the alienation of any degree of sovereignty to international institutions, the prospect of a global solution to the zombie question remains elusive. This essay offers an interpandemic response to the novel coronavirus that cuts across borders and against the grain. The first is transnational, to identify from the parallax view of Sydney and Los Angeles emergent risks that defy single-state fixes. The second is transhistorical, to counter efforts by China and the United States to subsume a human security crisis into the narrative of an eternal Cold War. The third is transmedial, to acquire new political and cultural perspectives on the pandemic through the zombie cinematic genre, including our documentary film, Project Z: The Final Global Event. A zombie inquiry can help us understand how COVID-19 is both disease and potential cure of late and rising empires.
期刊介绍:
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.