Thinking Independently and, Then, as One: The Relationship Between Truth, Art and Science in the Field of Cross-Disciplinarity

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Conservation Science in Cultural Heritage Pub Date : 2018-12-31 DOI:10.6092/ISSN.1973-9494/9238
S. Lorusso, Mauro Mantovani, Giampaolo Maria Cogo
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Abstract

I would define the following text as a Note in which different cultural extractions and equally different personal ideas have led to a discussion and the consequent need on the part of each of the authors to write the short paper which, rightly and emphatically, does not exclude others, but rather integrates them into the specific subject matter. The theme it discusses — “Truth” — as an axiom itself, in this case is directed at the cul­tural areas in which, and for which, the authors themselves operate: art and science. Thus the authors of the paper, the scientist, the philosopher and the jurist, with the perspective of openness toward transcendence that unites them, albeit in different ways and with different convictions, give meaning and reason to the concept of “inter­disciplinarity” and “transdisciplinarity.” In this regard, I would like to underline that this concept, which has developed into the stronger form of “cross-disciplinarity,” is present in the Apostolic Constitution “Veritatis Gaudium,” defined as another step in the cultural revolution of Pope Francis. Here, in short: “Thinking independently and, then, as one.”
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独立思考与一体思考:跨学科领域中真理、艺术与科学的关系
我将下面的文本定义为一个注释,其中不同的文化提取和同样不同的个人想法导致了讨论,因此每个作者都需要写一篇简短的论文,正确而着重地,不排除其他人,而是将它们整合到特定的主题中。它讨论的主题——“真理”——作为一个公理本身,在这种情况下,是针对文化领域的,其中,作者自己操作,并为之:艺术和科学。因此,这篇论文的作者,科学家、哲学家和法学家,尽管以不同的方式和不同的信念,以对超越的开放的观点将他们团结在一起,为“跨学科”和“跨学科”的概念赋予了意义和理由。在这方面,我想强调的是,这一概念已经发展成为更强大的“跨学科”形式,出现在宗座宪章“真理的喜乐”中,被定义为教宗方济各文化革命的又一步。这里,简而言之:“独立思考,然后作为一个整体。”
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来源期刊
Conservation Science in Cultural Heritage
Conservation Science in Cultural Heritage HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
15 weeks
期刊介绍: Conservation Science in Cultural Heritage is an international peer reviewed journal which continues Quaderni di Scienza della Conservazione. Main topics of publication: • Study of the system: artifact-environment-biota • Historical-artistic knowledge of cultural heritage (i.e. author, art movement, period of realization, techniques, society and cultural characteristics, socio-economic context, commissioning, financing, interested public) • History, diagnosis, restoration, maintenance, conservation, valorization, prevention • Document research • Book, codex, and manuscript production in its historical context • Appropriate methodologies and analytical techniques used for the characterization of historical artifacts and evaluation of the conservation state • Environmental monitoring: assessment of atmospheric pollution and correlated degradation of monuments and historical-artistic sites • Micro and macroclimatic monitoring in confined areas (i.e. museums, libraries, archives, churches, galleries…) • Art diagnostics and evaluation of the authentication of art works • Art market and auction houses • Experiences in cultural heritage conservation • Evaluation of the suitability of products for restoration, conservation, and maintenance of works of art • Information science and cultural heritage: data processing and cataloguing methods • Virtual re-elaboration and use of historical artifacts and environments • Study, valorization and digitalization of archive and library heritage • Environmental context and technical-conservative issues related to historic architecture • Virtual or traditional conservation, cataloguing and processing of photographs • Various other topics including education, safeguard, education, legislation, economics, social aspects, management, marketing, interdisciplinarity, internationalization, etc.
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