Reality-Based Sadness Induction Fosters Affect-Congruency in Music Preference

IF 0.6 0 MUSIC Psychomusicology Pub Date : 2018-12-01 DOI:10.1037/pmu0000221
Tina C. DeMarco, R. Friedman
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引用次数: 2

Abstract

In this study, we tested the hypothesis that reality-based, relative to fiction-based, inductions of sadness would lead individuals to exhibit more pronounced affect-congruency in music preference. To test this, we induced participants to experience feelings of sadness by having them view 1 of 2 film clips that vividly portrayed a profound personal loss. The thematic content of the film clips was held constant, and the intensity of the sad feelings that they elicited was equated. In the first group of participants (fiction-based induction condition), the induction was based on a fictional feature film, whereas in the second group (reality-based induction condition), it was based on a real-life documentary. Findings revealed that in contrast to participants in the fiction-based sadness condition, those in the reality-based sadness condition expressed a preference for listening to songs that were expressively sadder than those of participants in a neutral-affect control condition. Likewise, songs chosen by participants in the reality-based induction condition were also rated as expressing less happiness than those of participants in both the fiction-based induction and control conditions. The results help to elucidate the motivational dynamics underlying emotion regulation via selective exposure to music. Moreover, they suggest that the exclusive reliance on fiction-based sadness inductions in several recent lab-based experiments may have threatened their ecological validity, leading them to underestimate the extent to which “misery loves company” in real-world music choice.
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基于现实的悲伤诱导促进音乐偏好的情感一致性
在这项研究中,我们测试了一个假设,即基于现实的,相对于基于虚构的,悲伤的诱导会导致个人在音乐偏好上表现出更明显的情感一致性。为了验证这一点,我们让参与者观看两段电影片段中的一段,让他们体验悲伤的感觉,这两段电影片段生动地描绘了一场深刻的个人损失。电影片段的主题内容保持不变,它们引发的悲伤情绪的强度是相等的。第一组参与者(基于虚构的诱导条件)的诱导是基于虚构的故事片,而第二组参与者(基于现实的诱导条件)的诱导是基于真实的纪录片。研究结果显示,与虚构悲伤组的参与者相比,现实悲伤组的参与者比中性情绪控制组的参与者更喜欢听表达悲伤的歌曲。同样,在现实诱导条件下,参与者选择的歌曲也被评为比基于虚构的诱导条件和控制条件下的参与者表达更少的快乐。研究结果有助于阐明通过选择性接触音乐进行情绪调节的动机动力学。此外,他们认为,在最近的几个实验室实验中,对基于小说的悲伤感应的完全依赖可能会威胁到它们的生态有效性,导致他们低估了现实世界音乐选择中“痛苦爱同伴”的程度。
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来源期刊
Psychomusicology
Psychomusicology Multiple-
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