[Hora est. Malocclusion and playing a wind instrument].

F N van der Weijden
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Abstract

The interplay of all the muscles around the mouth when playing a wind instrument is called 'embouchure'. The teeth also play an important role, as they support the lips against which the mouthpiece is placed. Even a small dental procedure can have a major positive or negative impact on the performance of a wind instrumentalist. Severe malocclusions or craniofacial deformities (such as an oral cleft, large sagittal overbite, or severe crowding) should not discourage one from playing a wind instrument. Wind instrumentalists appear to be able to adapt to a sub-optimal condition, and even reach a (semi) professional level. While orthodontic treatment may offer improvement, it is difficult for a patient and the treating specialist to predict precisely what the effect will be on the playing ability. On the other hand, to estimate the effect of changing a tooth shape on musical performance, a mock-up can be made as a trial. Oral osteotomy poses a risk of nerve damage and change in sensibility of the lips, which can be disastrous for a wind instrumentalist.

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[Hora est.错颌和管乐器的演奏]。
吹奏管乐器时,嘴部周围肌肉的相互作用被称为“口部”。牙齿也起着重要的作用,因为它们支撑着放置牙套的嘴唇。即使是一个很小的牙科手术也会对管乐器演奏家的演奏产生重大的积极或消极的影响。严重的咬合错误或颅面畸形(如唇裂,大矢状覆盖咬合,或严重拥挤)不应该阻止一个人演奏管乐器。管乐器演奏者似乎能够适应次优状态,甚至达到(半)专业水平。虽然正畸治疗可能会改善,但对于患者和治疗专家来说,很难准确地预测对演奏能力的影响。另一方面,为了评估改变牙齿形状对音乐表演的影响,可以制作一个模型作为试验。口腔截骨术有神经损伤和嘴唇敏感性改变的风险,这对管乐器演奏家来说可能是灾难性的。
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