Differences in Center of Pressure Displacement and Lower Limb Muscle Activity During Relevé Descending Phase Comparing Flat Shoes and Pointe Shoes.

IF 0.9 4区 医学 Q3 MEDICINE, GENERAL & INTERNAL Medical problems of performing artists Pub Date : 2023-06-01 DOI:10.21091/mppa.2023.2013
Yurina Tsubaki, Noriaki Maeda, Yuta Suzuki, Masanori Morikawa, Mayumi Kuno-Mizumura, Yukio Urabe
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Abstract

Aims: In classical ballet, dancers may wear flat shoes and pointe shoes. To consider the kinematic changes between flat shoes and pointe shoes to prevent injuries, it is essential to focus on the fundamental ballet movement of standing on pointe. This study aimed to clarify the differences in the center of pressure (COP) displacement and lower limb muscle activity during the descending phase of a relevé when wearing pointe shoes versus flat shoes.

Methods: Ten amateur ballet dancers volunteered for this study and performed a reléve wearing flat shoes and pointe shoes. We measured the COP displacement by using a footplate and electromyographies of the tibialis anterior, soleus, lateral gastrocnemius, and peroneus longus muscles during the relevé descending phase. These data were compared using a paired t-test or Wilcoxon signed-rank sum test.

Results: The COP significantly shifted to the lateral side when dancers were wearing pointe shoes compared to wearing flat shoes (p<0.05). The muscle activity of the tibialis anterior and soleus muscles was significantly higher by 5.7% and 5.3%, respectively, when ballet dancers were wearing pointe shoes compared to flat shoes (p<0.05). However, there were no differences in both lateral gastrocnemius and peroneus longus.

Conclusion: Greater muscle activities in the tibialis anterior and soleus muscles when wearing pointe shoes than when wearing flat shoes were associated with a larger lateral displacement of the COP. To control the COP displacement during the descending phase of a relevé, the muscle activity of the peroneus longus, which is antagonist of tibialis anterior muscle, and soleus muscles should be increased.

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平底鞋与足尖鞋在相关下降阶段压力中心位移和下肢肌肉活动的差异。
目的:在古典芭蕾中,舞者可以穿平底鞋和尖头鞋。为了考虑平底鞋和足尖鞋之间的运动学变化,以防止受伤,必须关注足尖站立的基本芭蕾动作。本研究旨在阐明穿尖头鞋与穿平底鞋时,压力中心(COP)位移和下肢肌肉活动在下降阶段的差异。方法:10名业余芭蕾舞者自愿参加本研究,并穿着平底鞋和尖头鞋进行了相对的交换。在相关下降期,我们使用脚踏板和胫骨前肌、比目鱼肌、腓肠肌外侧肌和腓骨长肌的肌电图测量COP位移。这些数据使用配对t检验或Wilcoxon符号秩和检验进行比较。结果:与穿平底鞋的舞者相比,穿足尖鞋的舞者的COP明显向外侧移动(结论:与穿平底鞋的舞者相比,穿足尖鞋的舞者的胫骨前肌和比目鱼肌的肌肉活动更大,COP的侧向位移更大。为了控制关节下降期的COP位移,应增加腓骨长肌(胫前肌的拮抗剂)和比目鱼肌的肌肉活动。
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来源期刊
CiteScore
1.60
自引率
22.20%
发文量
28
审稿时长
>12 weeks
期刊介绍: Medical Problems of Performing Artists is the first clinical medical journal devoted to the etiology, diagnosis, and treatment of medical and psychological disorders related to the performing arts. Original peer-reviewed research papers cover topics including neurologic disorders, musculoskeletal conditions, voice and hearing disorders, anxieties, stress, substance abuse, and other health issues related to actors, dancers, singers, musicians, and other performers.
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