Evaluating Note Frequency and Velocity During Improvised Active Music Therapy in Clients With Parkinson's Disease.

IF 1.9 3区 医学 Q1 Arts and Humanities Journal of Music Therapy Pub Date : 2023-05-05 DOI:10.1093/jmt/thac014
Demian Kogutek, Emily Ready, Jeffrey D Holmes, Jessica A Grahn
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引用次数: 1

Abstract

The purpose of this article was to report on the findings of the note frequency and velocity measures during Improvised Active Music Therapy (IAMT) sessions with individuals with Parkinson's disease (PD). In this single-subject multiple baseline design across subjects, the article reports the note frequency (note count) and velocity of movement (mean note velocity) played by three right-handed participants while playing uninterrupted improvised music on a simplified electronic drum-set. During baseline, the music therapist played rhythmic accompaniment on guitar using a low-moderate density of syncopation. During treatment, the Music Therapist introduced rhythms with a moderate-high density of syncopation. The music content of the sessions was transformed into digital music using a musical instrument digital interface. Results of this study indicated that all participants exhibited an increase in note count during baseline until reaching a plateau at treatment condition and were found to be significantly positively correlated with the Music Therapist's note count. All participants played more notes with upper extremity (UE) across conditions than with lower extremity. All participants also scored similar total mean velocity across conditions. Two participants demonstrated higher mean note velocity with UE than right foot, whereas the other participant did not demonstrate this difference. Two participants also exhibited greater mean note velocity variability with left foot within and across conditions. More research is required to identify commonalities in note count and mean note velocity measures in individuals with PD during IAMT sessions.

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评价帕金森病患者即兴积极音乐治疗中的音符频率和速度。
本文的目的是报告即兴积极音乐治疗(IAMT)期间对帕金森病(PD)患者音符频率和速度测量的发现。在这个单受试者多受试者基线设计中,文章报告了三个右撇子参与者在一个简化的电子鼓上演奏不间断的即兴音乐时演奏的音符频率(音符计数)和移动速度(平均音符速度)。在基线期间,音乐治疗师使用低-中等切分密度的吉他演奏有节奏的伴奏。在治疗过程中,音乐治疗师引入了中高切分密度的节奏。会议的音乐内容通过乐器数字接口转换为数字音乐。本研究结果表明,所有参与者在基线期间表现出音符计数的增加,直到在治疗条件下达到平台,并且发现与音乐治疗师的音符计数显着正相关。所有的参与者在不同的条件下,上肢(UE)比下肢(UE)弹奏更多的音符。所有参与者在不同条件下的总平均速度也相似。两名参与者表现出比右脚更高的平均音符速度,而另一名参与者没有表现出这种差异。两名参与者还表现出更大的左脚平均音符速度变化。需要更多的研究来确定在IAMT期间PD患者音符计数和平均音符速度测量的共性。
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来源期刊
Journal of Music Therapy
Journal of Music Therapy REHABILITATION-
CiteScore
3.50
自引率
5.30%
发文量
13
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